
Visual artist and poet Edgar Calel engages with topics related to ritual and the rich cultural heritage of Guatemala’s midwestern highlands, where he resides. Hailing from a family of Maya-Kaqchikel artists and artisans, Calel works across drawing, painting, sculpture, installation, and performance, often engaging with sites and traditions in and around his hometown of Chi Xot (San Juan Comalapa) as creative touchstones for works that meticulously interconnect localities, at home and internationally. The artist’s primary concerns include exploring the complexities of Indigenous experiences and representing the Maya-Kaqchikel worldview to new publics. Through these processes, Calel, who is considered a leading voice of institutional critique among a broad generation of Latin American artists, frequently addresses power dynamics and historical shifts while raising the profile of Indigenous peoples through an anticolonial transmission of living beliefs and customs.
Calel’s works are often grounded in attentive relationships with the earth, its elements, and animal-vegetal motifs and are known to playfully challenge Western conventions and perspectives of permanence. The artist’s use of the Kaqchikel language, transpositional awareness, and reflexivity of his presence in the places he travels belong to a practice celebratory of the daily role of spirituality among his people and vigilant of daily threats of exclusion and cultural erasure, particularly in relation to the violence and aftermath of the Guatemalan Civil War.





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