MIA MIDDLETON

Dualities are a constant fascination of mine. For this exhibition, captivity and release take centre stage; we oscillate between the necessities of possessiveness and openness in every part of life. We expand our threshold for growth and experience by making deep commitments to values, people, futures, and yet simultaneously, life and self are constantly evolving; we cannot hold onto things forever for fear of loss and unknowns. There is a balancing act in there that no manual can help with, even intuition can get it wrong. It seems we are destined to trip up in this dance, and that is part of the whole performance.

In a world where ideals and absolutes are delivered to us daily through devices, we barely control, what does it look like to surrender to imperfection, embrace discordance and ephemerality, or centre our animal experience once again. There is certainly much discomfort there. In Love Story I am evoking a scene that takes place in a remote setting. The figures there are poised for pleasure or pain, movement, or stasis. It’s hard to determine. Domesticity mingles with wildness, simplicity with complexity, and through it, the body sits in the balance.

A love story is a potent ideal. We look for an answer to ourselves, something through which we ascend - or escape - our physical bounds. Yet despite this hopeful belief, we know that purity can shatter, giving way to less transcendent feelings. It seems clear to me that there is little difference between reality and fantasy, memory and imagination, and a story can evolve in meaning continually over time. Using the body as the container for this mutability, Love Story is a place where a gesture, a stance, a look, a possession, becomes the whole world, if just for a moment, before shifting again. – Mia Middleton, 2023