
For this year’s Independent, Sprüth Magers has been invited to create a special presentation of Gretchen Bender’s TV Text & Image works. Bender (1951–2004) was an influential figure in late twentieth-century American art and a key observer of the effects of mass media on the human experience. Both realized as nimble single-screen works confronting domestic television consumption, as well as public site-specific arrangements, Bender’s TV Text & Image series was not only a major part of her artistic output throughout the late 1980s and early 90s, it also played a significant role in her attempt to draw attention to her concern about passive viewership in a corporate, capitalistic media landscape. Powerful and efficient, Bender’s TV Text & Image series simply superimposes carefully chosen phrases, applied to the screen in black vinyl text, over live broadcast media sources.
Gretchen Bender was an influential figure in late twentieth-century American art and a key observer of the effects of the inundation of mass media on the human experience. The immersive ‘electronic theater’ installations that she produced in New York in the 1980s are groundbreaking mixtures of sculpture, video, sound and performance that subverted the power of corporate imagery on collective consciousness and prefigured the practices of many younger artists in the post-Internet age.




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