
Since the early 1990s, Andrea Zittel has used the arena of day-to-day life to develop and test prototypes for living structures and situations in order to understand the world at large. Monika Sprüth and Philomene Magers, on the occasion of Berlin Art Week, are pleased to announce a solo exhibition of the artist’s latest project, Public Performance of the Self. Zittel’s newest work hinges on the dual meaning of the term ‘to perform’, which signifies both to conduct an action and to present oneself to an audience. Zittel ‘performs herself’, participating in the various activities of everyday life in the public realm while documenting with a phone camera and written reports. With subtle dry humour, Zittel touches on both personal and universal themes – mental well-being, social roles, online culture, and her own art-making – engaging with the enduring question of how we craft and present ourselves to others.


Andrea Zittel, born 1965 in Escondido, USA, lives and works in Los Angeles and Joshua Tree, USA. Her work has been exhibited internationally, recent solo shows include Costume Gallery, at Palazzo Pitti, Florence, A-Z Habitable Island, Indianapolis Museum of Art, Indianapolis, USA, the retrospective Andrea Zittel at the Schaulager Basel in 2008, and Small Liberties at the Whitney Museum of American Art, New York, in 2006.




Sprüth Magers has expanded from its roots in Cologne (Germany) to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles–as well as an office in Cologne and an outpost in Hong Kong–Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.

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