Bill Viola was born in New York in 1951 and graduated from Syracuse University in 1973. He represented the United States at the Venice Biennale in 1995 with an exhibition titled Buried Secrets. Other key solo exhibitions include Bill Viola: A 25-Year Survey at The Whitney Museum of American Art (1997); The Passions at the J. Paul Getty Museum (2003); Hatsu-Yume (First Dream) at the Mori Art Museum in Tokyo in
2006; Bill Viola: Visioni interiori at the Palazzo delle Esposizioni (2008); and Bill Viola, Grand Palais, Paris (2014). He met Australian-born Kira Perov in 1977 who became Viola’s partner and collaborator.
His background reveals a great deal about his values and emphasis on transformational themes. A student of technology, art, and philosophy, he emerged out of the Fluxus-inspired generation that produced avant-garde innovators including David Tudor and Nam June Paik. Working with both artists early in his career, Viola quickly found his own voice by using technology to create works and adopting the mechanics of the recording process to explore archetypal themes of spiritual and psychological passage. In evoking art historical themes through the modern medium of video, Viola discovered an entirely new genre that has made a momentous contribution to art history.
Courtesy Kukje Gallery

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