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Art Basel in Hong Kong: Exhibitions to See Ocula Report Art Basel in Hong Kong: Exhibitions to See 23 Mar 2019 : Tessa Moldan for Ocula

For those visiting during Art Basel in Hong Kong (29–31 March 2019), the smell of fresh paint may still be in the air at the latest heritage conservation project, The Mills, which opened on 16 March to encompass the Centre for Heritage, Arts and Textiles (CHAT), joining the ranks with ex-prison complex Tai Kwun, along with Eaton HK—a retro...

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Firenze Lai Ocula Conversation Firenze Lai

Firenze Lai says that she knows her studio of a few hundred square feet intimately; from the textures of its surfaces to the way the breeze blows into the room. The spaces depicted in her paintings are equally intimate. When curators seem to be at a loss for words to discuss troubled times, fear of containment, and the feeling of being completely...

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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Pierre Huyghe

b. 1962, France

Pierre Huyghe is a multi-disciplinary artist who explores the semiotics of images, and the intersection of fiction and reality through film, sculpture and public interventions. Huyghe graduated from the École nationale supérieure des beaux-arts in 1985 and is renowned for his innovation of the 'post-production' technique in the 1990s, which involves the reproduction of art forms through pre-existing films and images from mass media.

Among Huyghe's most well-known work is L'Ellipse (1998), in which the artist fills the narrative gap of a jump-cut from Wim Wenders' film The American Friend (1977). Huyghe's revision stars Bruno Ganz, who also starred in the original film. In The Third Memory (2000), Huyghe blurs the line between fact and fiction by re-enacting a hold-up scene in a bank in Sidney Lumet's film Dog Day Afternoon (1975). In Huyghe's film, a protagonist playing bank robber John Wojtowicz expresses how Dog Day Afternoon influenced him instead of recounting the actual heist, thus confounding the viewer as to the actuality of the event.

Huyghe also regularly blurs fact and fiction in his public interventions and 'living systems'—environments in which he often incorporates live creatures such as insects, plants, animals and humans. A Forest of Lines (2008)—Huyghe's commission for the 2008 Biennale of Sydney—consisted of 1000 trees embedded in the Concert Hall of the Sydney Opera House. The installation erased the boundaries between the art and its spectators, allowing them to become the performers of the work.

Huyghe regularly collaborates with other artists, namely Philippe Parreno with whom he purchased the rights to a manga character called AnnLee in 1999. AnnLee has appeared in several of his works and those of other artists, including Parreno's 3D film Anywhere Out of the World (2000), which sees AnnLee declare her ambiguous existence as exempt from copyright restrictions, calling attention to the notion of authorship that is regularly explored throughout Huyghe's practice.

Huyghe's work has been presented in numerous solo exhibitions, including Streamside Day at Moderna Museet, Stockholm in 2005; Streamside Day + Streamside Day Follies at Dia Center for the Arts, New York in 2003; and No Ghost Just A Shell at Van Abbemuseum, Eindhoven in 2005, to name a few. In 2001 he received the Special Jury Prize of the 49th Venice Biennale, followed by the Solomon R Guggenheim Foundation's Hugo Boss Prize in 2002. Huyghe lives and works in Paris and New York.

Tessa Moldan | Ocula | 2018

Featured Artworks

Timekeeper (Drill Core) Serpentine by Pierre Huyghe contemporary artwork Pierre HuygheTimekeeper (Drill Core) Serpentine, 2018 Paint, gypsum, wood
70 x 70 x 2 cm
Galerie Chantal Crousel
Timekeeper (drawing), from Palais de Tokyo by Pierre Huyghe contemporary artwork Pierre HuygheTimekeeper (drawing), from Palais de Tokyo, 2016 Pencil on paper
40 x 40 cm
Galerie Chantal Crousel
Timekeeper (Drill Core), Sprengel Museum by Pierre Huyghe contemporary artwork Pierre HuygheTimekeeper (Drill Core), Sprengel Museum, 2016 (Detail) Paint layers, plasterboard, chipboard
Esther Schipper
Cerro Indio Muerto by Pierre Huyghe contemporary artwork Pierre HuygheCerro Indio Muerto, 2016 Photography
69 x 101 cm
Galerie Chantal Crousel
A Journey that Wasn't by Pierre Huyghe contemporary artwork Pierre HuygheA Journey that Wasn't, 2008 Colour photograph
86 x 126 cm
Marian Goodman Gallery
The Host and the Cloud (film) by Pierre Huyghe contemporary artwork Pierre HuygheThe Host and the Cloud (film), 2009-2010 HD video, color, surround sound duration 2:01:30
Taro Nasu
la Saidon Des Fêtes (November) by Pierre Huyghe contemporary artwork Pierre Huyghela Saidon Des Fêtes (November), 2010 Archival pigment print
48 x 48 x 3 cm
Simon Lee Gallery

Recent Exhibitions

Contemporary art exhibition, Curated by Franklin Melendez, 1,000 Islands at Simon Lee Gallery, Hong Kong
Closed
13 November–21 December 2015 Curated by Franklin Melendez 1,000 Islands Simon Lee Gallery, Hong Kong
Contemporary art exhibition, Pierre Huyghe, Pierre Huyghe at Taro Nasu, Tokyo
Closed
6 February–7 March 2015 Pierre Huyghe Pierre Huyghe Taro Nasu, Tokyo

Represented By

In Ocula Magazine

A Journey That Wasn’t at The Broad, Los Angeles Ocula Report A Journey That Wasn’t at The Broad, Los Angeles 29 Sep 2018 : Jareh Das for Ocula

A Journey That Wasn't showcases 55 artworks from the permanent collection of The Broad in Los Angeles, some of which are on view for the first time (30 June 2018–10 February 2019). Located in the museum's first-floor galleries and curated by Ed Schad and Sarah Loyer (both curators at The Broad), the show explores how artists have dealt with...

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Frieze New York: Running the Course Ocula Report Frieze New York: Running the Course 11 May 2018 : Paul Laster for Ocula

There's no better way to kick off a marathon week of art fairs and other related activities than to hear a living artist discuss their new work: a reminder of what's at the very core of the art world, and it's not just the buying and selling, but the opportunity to have a dialogue with art.On Tuesday morning in New York, a day before Frieze opened...

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In Related Press

View All (17)
Pierre Huyghe’s “UUmwelt” Related Press Pierre Huyghe’s “UUmwelt” art agenda : 19 December 2018

Five large, freestanding LED panels fill the spaces of the Serpentine. Despite their technological nature, they look like temporary plaster walls and give the rooms a stripped appearance. Images scroll onscreen at high speed. In the darkened exhibition space, they have peculiar light and colors, cold and clear tones. Sounds can be heard, but like...

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Ugo Rondinone 'I ♥ John Giorno' at Various venues, New York Related Press Ugo Rondinone 'I ♥ John Giorno' at Various venues, New York Mousse Magazine : 27 July 2017

Ugo Rondinone: I ♥ John Giorno—the first major U.S. exhibition about the American poet, artist, activist and muse John Giorno—has opened simultaneously across 13 locations in New York City. I ♥ John Giorno is a work of art by Giorno's husband, the Swiss artist Ugo Rondinone. The exhibition is a celebration of the life and work of John...

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John Giorno Related Press John Giorno artforum.com : 25 July 2017

I learned early on from the eats, such as Allen Ginsburg and William Burroughs—and the Pop artists too—that archives were very important. This was around the late 1950s, or the beginning of the '60s. So, I just saved all of my work. My parents had a house in Roslyn Heights, Long Island, and for fifty years I brought everything I made...

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Constant Displacement: Pierre Huyghe on His Work at Skulptur Projekte Münster Related Press Constant Displacement: Pierre Huyghe on His Work at Skulptur Projekte Münster ARTnews : 26 June 2017

About three years ago, discussing what he planned next for his practice, Pierre Huyghe told me that he was on the hunt for a place 'to grow the work to the condition I want it to grow,' perhaps a stretch of land or an old building, somewhere maybe a bit off the beaten path. 'The museum is a place of separation, in a certain way, and I need a place...

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In Related Video

Pierre Huyghe: UUmwelt Related Video & Audio Pierre Huyghe: UUmwelt Serpentine Galleries : 30 October 2018

Curator Rebecca Lewin discusses Pierre Huyghe's exhibition UUmwelt. Known for creating complex immersive ecosystems, Huyghe presents a major new exhibition at the Serpentine. For the exhibition, the Gallery has become a porous and contingent environment, housing different forms of cognition, emerging intelligence, biological reproduction and...

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