Deana Lawson is a renowned American photographer whose staged, rich colour photographs have redefined how Black experience and intimacy are made visible in contemporary art. Lawson made history as the first photographer to win the Hugo Boss Prize (2020) and has also been awarded the Deutsche Börse Photography Foundation Prize (2022). Lawson’s pioneering work masterfully interweaves personal family album codes, classical portraiture, and documentary photography, standing at the forefront of art that expands the canon and visual record of Black life.
Lawson is Professor of Visual Arts at Princeton University, where she teaches analogue and digital photography. In 2018, she photographed Rihanna for Garage Magazine.
Born and raised in Rochester, New York—a city indelibly linked with the history of photography as the birthplace of Kodak—Lawson earned her BFA in Photography at Pennsylvania State University in 2001, and her MFA from Rhode Island School of Design in 2004. Lawson is currently based in Los Angeles and joined the Visual Arts faculty at Princeton University in 2012, bringing her critical engagement and unique vision to contemporary photography education.
Lawson is best known for her lush, staged portraits that explore intimacy, power, and kinship within domestic interiors and unfamiliar environments alike. Her photographs are meticulously composed, often referencing vernacular family albums, iconography, and the formal strategies of both historical and contemporary art.
During this formative period, Lawson produced works such as Diva at 73 Years Old (2009) and Binky and Tony Forever (2009)—the latter gracing the cover of Blood Orange’s album Freetown Sound. Her now-canonical image, Roxie and Raquel, New Orleans, Louisiana (2010), exemplifies her commitment to representing psychological and spatial intimacy.
Awarded a Guggenheim Fellowship in 2013, Lawson travelled to Haiti, Jamaica, Ethiopia, and the Democratic Republic of the Congo, producing works such as Mickey & Friends <3 (2013) and Mama Goma, Gemena, Democratic Republic of the Congo (2014), broadening her depiction of Black lives and connections beyond the United States.
Lawson’s major institutional exhibitions—Centropy at Kunsthalle Basel (2020) and The Hugo Boss Prize 2020: Deana Lawson, Centropy at the Solomon R. Guggenheim Museum (2021)—signalled an even more ambitious scale and thematisation, with allusions to thermodynamics as a metaphor for personal and cultural change. These shows further cemented her role as a leading contemporary artist.
Deana Lawson has been the subject of both solo exhibitions and group exhibitions at important institutions and galleries. Below is a selection of important exhibitions.
Lawson’s practice has been featured in leading magazines, including The New Yorker, TIME Magazine, and The New York Times.
Deana Lawson’s photographs are in the permanent collections of the Museum of Modern Art and Whitney Museum of American Art in New York, the Art Institute of Chicago, Tate Modern in London, Pérez Art Museum in Miami, and Art Gallery of New South Wales in Sydney. Major solo exhibitions include Deana Lawson: The Hugo Boss Prize 2020: Centropy (Solomon R. Guggenheim Museum), Deana Lawson: Centropy (Kunsthalle Basel), and Deana Lawson: A Survey Exhibition (ICA/Boston; MoMA PS1; High Museum of Art).
Deana Lawson is the first photographer to receive the prestigious Hugo Boss Prize (2020) and also won the Deutsche Börse Photography Foundation Prize (2022). She has additionally been awarded the Guggenheim Fellowship, John Gutmann Photography Fellowship, Rema Hort Mann Foundation Grant, and Aaron Siskind Foundation Individual Photographer’s Fellowship.
Deana Lawson’s artworks engage themes of intimacy, kinship, spirituality, and sexuality. Her highly composed photographs explore the material and emotional realities of Black life, referencing family albums and the visual language of portrait traditions in art.
Deana Lawson’s name is pronounced “DEE-uh-nuh LAW-sun”.
Her photograph Binky and Tony Forever was the cover of Blood Orange’s celebrated album Freetown Sound. Lawson often discovers her photographic subjects in daily life, building trust and rapport to create her signature images. Growing up in Kodak’s home city influenced her awareness of photography’s significance.
Lawson is Professor of Visual Arts at Princeton University, where she teaches analogue and digital photography.
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