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Emi Eu: ‘We have to look at Southeast Asia as one market’ Ocula Conversation Emi Eu: ‘We have to look at Southeast Asia as one market’ Stephanie Bailey, Singapore

STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.

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New Delhi, Mumbai, Kolkata: Shows to See Ocula Report New Delhi, Mumbai, Kolkata: Shows to See Kanika Anand, New Delhi

With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.

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Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin

Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.

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(1852 - 1903), United Kingdom

Louis Abrahams Biography

Born in London in 1852, Louis Abrahams arrived in Australia in 1860. He studied at the Melbourne National Gallery School in 1875 and formed a life-long friendship with Frederick McCubbin. His earliest etchings date from this period. An Impressionist painter, printmaker and co-founder of the Heidelberg school, Abrahams is the central figure in Tom Roberts's, The Artists’ Camp (1886). Abrahams was part of the first important art movement in Australia, including a number of artists who painted scenes in the open air particularly in Melbourne and its surroundings. 

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His works are represented in the collection of the National Gallery of Victoria, Melbourne.

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