Pan Daijing (born Guiyang, China, 1991) is a Berlin-based artist, composer, and performer known for immersive performance installations that push at the boundaries of contemporary art, experimental music, and opera. Working across sound, moving image, choreography, and sculpture, she has developed a distinctive live practice that engages international museums, galleries, and experimental music venues.
Pan Daijing was born and raised in Guiyang, in southwest China, before moving to Beijing as a teenager to study at university. A self-taught artist and composer, she began working with noise, improvisation, and performance outside traditional music education and later relocated to Berlin, where she has lived since the mid-2010s.
Her experience of migration, illness, and time spent between cities underpins an art practice that treats sound as a vehicle for memory, psychological intensity, and storytelling. This trajectory has positioned Daijing as a key figure in global contemporary art and experimental music networks, active between European institutions, Asian biennials, and international festivals.
Pan Daijing creates performance-based artworks, large-scale installations, and sound works that merge opera, choreography, architecture, and moving image into enveloping environments. Her compositions are developed through extensive improvisation with analogue synthesisers, human voice, and field recordings, often deconstructing instruments to explore psychoacoustics and the physical and emotional limits of listening.
Works such as Tissues (2019), developed for Tate Modern’s Tanks, exemplify Daijing’s approach to opera as a spatial and sculptural form. Combining an ensemble of singers, actors, and dancers with electronic sound and filmic staging, Tissues creates an atmosphere of melancholia and psychological turbulence that unfolds like a journey inside a single, fragmented protagonist.
Her performance-based projects often evolve into ‘living environments’ or durational installations that pressurise the boundary between live art, music, and architecture. These works employ choreographed light, reflective surfaces, and moving images alongside sound to construct spaces where audiences are enveloped rather than positioned as external observers.
Exhibitions such as Sudden Places at the Walker Art Center bring together multichannel video installations and sound to explore memory, embodiment, and duration. Works including the four-channel installation Faint (2023—24) and the video The Hour Between Dog and Wolf (2021—24) hinge on subtle gestures and fragmented movement, producing a heightened psychological tension without relying on conventional narrative.
For the 13th Shanghai Biennale, Daijing’s commission Done Duet (2021) transformed the industrial architecture of the Power Station of Art into a quasi-organic spine, with liquid and sound seeming to course through the building like a nervous system. Across these projects, Daijing treats sound and structure as co-dependent elements, using echo, delay, and spatialised audio to collapse distinctions between object, body, and environment.
To be kept up to date with news relating to Pan Daijing, follow her on Ocula.
Pan Daijing has been the subject of solo exhibitions and major performance projects at museums and art centres, while also contributing to influential group exhibitions and music festivals worldwide.
To be kept up to date with upcoming exhibitions featuring Pan Daijing, follow her on Ocula.
Pan Daijing’s website can be found at pandaijing.com, and Pan Daijing’s Instagram can be accessed via her official site.
Pan Daijing is a Chinese-born, Berlin-based contemporary artist, composer, and performer known for immersive performance installations that merge sound, opera, choreography, moving image, and sculpture. You can follow Pan Daijing on Ocula to learn more about her work, find out about art for sale, contact her gallery, and keep up to date with upcoming exhibitions.
Pan Daijing is known for experimental operatic performances and large-scale installations such as Tissues at Tate Modern and Sudden Places at the Walker Art Center, which treat sound as a psychological and architectural material. Her works connect contemporary art, performance, and experimental music, positioning her as a key figure across museum programmes, biennials, and international festivals.
In 2026 Pan Daijing was named a winner of the Chanel Next Prize, a biennial award that grants €100,000 and a two-year international mentoring and networking programme to ten pioneering contemporary artists. The Chanel Culture Fund recognised Pan Daijing for her boundary-pushing work in sound, performance, and installation, underlining her influence within global contemporary art and experimental music.
Alongside being a recipient of the 2026 Chanel Next Prize, Pan Daijing has been recognised by platforms such as the Art Basel Awards, which highlight her cross-disciplinary work in performance, sound, and installation. These honours confirm Pan Daijing’s status as a leading contemporary artist whose practice is closely followed by museums, biennials, and collectors worldwide.
Pan Daijing’s artworks and performances have been presented at institutions including the Walker Art Center in Minneapolis, Haus der Kunst in Munich, Tai Kwun Contemporary in Hong Kong, Tate Modern in London, and the Power Station of Art at the Shanghai Biennale. You can follow Pan Daijing on Ocula to receive alerts on upcoming exhibitions by the artist.
Pan Daijing has described herself as a self-taught outsider who uses noise, voice, and performance to confront emotional extremes and to communicate directly beyond conventional music structures. She often speaks about sound as a way to process personal history and social tension, emphasising improvisation, risk, and intensity in her practice.
A lesser known aspect of Pan Daijing’s work is the way she draws on periods of illness and psychological crisis, particularly during her years in Shanghai, as a structural and emotional engine for her music and installation projects. You can follow Pan Daijing on Ocula to receive alerts on news about the artist.
Pan Daijing lives and works in Berlin, maintaining a studio and performance practice that is closely linked to institutions and venues across Europe, Asia, and North America. Her international projects often involve extended stays in cities such as Hong Kong, Shanghai, London, and Minneapolis for large-scale commissions and exhibitions.
Pan Daijing’s name is commonly pronounced “Pan Dye-jing”: “Pan” as in “pan,” “Dai” like “dye,” and “jing” like “jing” in “jingling,” with each syllable kept short and even. This pronunciation is widely used in English-language interviews, museum presentations, and festival announcements about the artist.
Key projects by Pan Daijing include the operatic performance Tissues and the related work The Absent Hour at Tate Modern, the exhibition Sudden Places at the Walker Art Center, and large-scale commissions such as Done Duet for the 13th Shanghai Biennale. Pan Daijing’s work has also featured at institutions such as Haus der Kunst, Tai Kwun Contemporary, and in major performance programmes at venues like Berghain, Barbican Centre, and Palais de Tokyo.
Pan Daijing’s music and sound pieces, including albums and live recordings, are available via independent labels, streaming platforms, and documentation from institutions that have commissioned her performances. You can use Ocula as a starting point to identify which museums and galleries have presented Pan Daijing’s sound and performance works, and then explore their archives and partner platforms for recordings.
Pan Daijing is represented by leading contemporary art galleries and collaborates with major institutions and festivals worldwide. You can explore Ocula to find out which Ocula galleries represent the artist and enquire directly about buying art by Pan Daijing, and follow her and her gallery to keep up to date; you can also get in touch with Ocula’s art advisory team to find out more about buying or selling work by Pan Daijing.
Ocula | 2026

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