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b. 1965, Thailand

Sakarin Krue-On Biography

Sakarin Krue-On is a leading Thai contemporary artist and art educator. He is known around the world for his provocative installations and conceptual projects that draw from the history and traditions of Thailand, where he was an early figure of conceptual art.

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Born in Mae Hong Son, Thailand, Sakarin Krue-On attended Silpakorn University, Bangkok, graduating in 1989. He would later return to the university as head of the Art Department. Through his art, the artist has sought to bring elements of Thai history and culture—that is, religious and mythological traditions, and material attitudes—into a dialogue with contemporary society. Sakarin Krue-On was one of the first artists in Thailand to be recognised for taking this conceptual approach. He did so through various avenues, including painting, print, and sculpture. Some of his most significant works, however, have been site-specific installations. One of his earliest was Lotus Pods (1998–2015), a work that is also representative of the natural imagery that became a recurring motif throughout his practice.

In Lotus Pods (1998), the artist created a form that amalgamated the symbolic motif of the lotus flower with the shape of a bullet. A commentary on the inherent contradiction in Thailand's professed values as a peaceful Buddhist society with its history of internal violence, the work became site-specific by being installed in a way that responds to the context of each location.

Sakarin Krue-On's Terraced Rice Fields (2007) is one of his largest site-specific projects. It was presented at documenta 12. The artist attempted to turn the area in front of Schloss Wilhelmshöhe—a Neoclassical palace in Kassel—into a terraced rice field. Individuals worked together using traditional rice-cultivating techniques to create the field.

Although Terraced Rice Fields did not produce any rice, the project brought people from all walks of life together and set up a conceptual culture clash between the German castle and the rice field. As a very visceral, hands-on project, Terraced Rice Fields contrasts with Sakarin Krue-On's more media-based installations, such as the single-screen video projection Circle of Hope (2003), which presents images of a traditional Thai goddess rotating and pulsating against a black background.

Another Sakrin Krue-On installation, Monument of Awakening Era (2012) opens a more sombre dialogue between tradition and rapid development in Thai society. In the work, white antlers emerge from a blackish liquid on the floor in a dark room. The antlers—fragile creations made from porcelain—appear like ghosts. They represent the extinct Schomburgk's Deer, who roamed the central plains of Thailand until they were completely wiped out in the 1930s.

On a smaller scale, Sakarin Krue-On has produced prints that combine traditional Buddhist motifs with contemporary imagery, such as Flying Lesson (2010). The artist also creates paintings executed overall in a modern, minimalist style but featuring a pattern of dots that outline a traditional Buddhist motif, such as in Blue Chedi (2008).

Sakarin Krue-On's art has been exhibited across the globe in gallery and institutional shows. The artist has also represented Thailand at several major international art events, including the Venice Biennale, Busan Biennale, and Singapore Biennale, and he was the first Thai artist to present work at Documenta. In 2016, Krue-On received the Prudential Eye Lifetime Achievement Award in recognition of his contributions to Asian art.

Sakarin Krue-On Solo Exhibitions include:

A Talebearer's Tale, Tang Contemporary Art, Bangkok (2017); Manorah and Best Friends of The Snake, 100 Tonson Gallery, Bangkok (2010); Ripe Project: Village and Harvest Time, ARDEL Gallery of Modern Art, Bangkok (2008); Horizon, Museum of Mind, Bangkok (2008); Nang Kwak: Equal Opportunity, The Art Center, Chulalongkorn University, Bangkok (2006); Nang Kwak: The 2005 Crisis, Playground, Bangkok (2005); Temple, About Café-Studio, Bangkok (2000).

Sakarin Krue-On Group Exhibitions include:

Slippages, Pearl Lam Galleries, Shanghai (2017); Afterwork, Para Site, Hong Kong (2016); Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots, Cincinnati Contemporary Arts Center (2012); Panorama: Recent Art from Contemporary Asia, Singapore Art Museum (2012); Return Ticket: Thailand–Germany, Bangkok Art & Culture Centre (2010); MURALS, Fundació Joan Miró, Barcelona (2010); The World in Painting, Heide Museum of Modern Art, Melbourne (2008).

Michael Irwin | Ocula | 2021

Sakarin Krue-On Featured Artworks

Sanctuary White by Sakarin Krue-On contemporary artwork
Sakarin Krue-OnSanctuary White, 2010Acrylic on canvas
80 x 60 cm
Tang Contemporary Art Contact Gallery
Sanctuary Red by Sakarin Krue-On contemporary artwork
Sakarin Krue-OnSanctuary Red, 2010Acrylic on canvas
80 x 60 cm
Tang Contemporary Art Contact Gallery
Red Chedi by Sakarin Krue-On contemporary artwork
Sakarin Krue-OnRed Chedi, 2008Acrylic on canvas
183 x 152 cm
Tang Contemporary Art Contact Gallery
Lotus Pod by Sakarin Krue-On contemporary artwork
Sakarin Krue-OnLotus Pod, 1998Lead, fibreglass
Tang Contemporary Art Contact Gallery
Blue Chedi by Sakarin Krue-On contemporary artwork
Sakarin Krue-OnBlue Chedi, 2008Acrylic on canvas
200 x 150 cm
Tang Contemporary Art Contact Gallery
A Talebearer’s Tale plus barriers by Sakarin Krue-On contemporary artwork
Sakarin Krue-OnA Talebearer’s Tale plus barriers, 2017Mixed media, antique Louis XV table, silicone and polyester made animal, stainless steel barriers
202 x 101 x 148 cm
Tang Contemporary Art Contact Gallery
Lamentation by Sakarin Krue-On contemporary artwork
Sakarin Krue-OnLamentation, 2010C-print
16.5 x 22 inches
Sundaram Tagore Gallery Contact Gallery
Flying Lesson by Sakarin Krue-On contemporary artwork
Sakarin Krue-OnFlying Lesson, 2010C-print
11 x 12.6 inches
Sundaram Tagore Gallery Contact Gallery

Sakarin Krue-On Recent Exhibitions

Contemporary art exhibition, Group Exhibition, Echo among Geographies at Tang Contemporary Art, Hong Kong
Closed
19 March–18 April 2020 Group Exhibition Echo among Geographies Tang Contemporary ArtHong Kong
Contemporary art exhibition, Group Exhibition, Slippages at Pearl Lam Galleries, Shanghai
Closed
12 November 2016–7 January 2017 Group Exhibition Slippages Pearl Lam GalleriesShanghai
Contemporary art exhibition, Group Exhibition, Thresholds: Contemporary Thai Art at Sundaram Tagore Gallery, Hong Kong
Closed
13 November–15 December 2013 Group Exhibition Thresholds: Contemporary Thai Art Sundaram Tagore GalleryHong Kong

Sakarin Krue-On Represented By

Tang Contemporary Art contemporary art gallery in Beijing, China Tang Contemporary Art Hong Kong, Beijing, Bangkok

Sakarin Krue-On In Related Press

Examining 'race' in Asia's migrant domestic workers population: 'Afterwork' at Para Site, Hong Kong Related Press Examining 'race' in Asia's migrant domestic workers population: 'Afterwork' at Para Site, Hong Kong 24 March 2016, Art Radar

Running from 19 March to 29 May 2016 at Para Site, Afterwork is a group exhibition that explores a wide scope of issues related to “race” – as constructed through ingrained socio-cultural, political, economic, legal and historical forces and representations – as well as its relation to class, labour and migration within...

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Sakarin Krue-On In Video & Audio

Echo among Geographies exhibition tour (19 March–18 April 2020) | 地缘间的回音, 中文导览 Related Video & Audio Echo among Geographies exhibition tour (19 March–18 April 2020) | 地缘间的回音, 中文导览 31 March 2020, Tang Contemporary Art

当代唐人艺术中心荣幸地将于 2020年 3月 19日于香港空间推出本年度重点群展 -「地缘间的回音」,展出七位享誉国际的当代艺术家的创作。

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