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Thao Nguyen Phan: Dangerous Optimism Ocula Conversation Thao Nguyen Phan: Dangerous Optimism Tessa Moldan, Brussels

With Monsoon Melody on view at WIELS, Brussels, her largest solo exhibition to date, Thao Nguyen Phan discusses her transition to film to explore colonial legacies and ecological destruction in Vietnam.

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Frieze Los Angeles: Shows to See Ocula Report Frieze Los Angeles: Shows to See Tessa Moldan, Los Angeles

Los Angeles' art scene has a lot to offer during Frieze Los Angeles, with galleries, non-profits, and museums gearing up for the fair's second edition between 14 and 17 February 2020. In this Ocula Lowdown, Tessa Moldan lists a selection of the city's must-see shows.

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Jaki Irvine's Manifesto on Life at Kerlin Gallery, Dublin Ocula Insight Jaki Irvine's Manifesto on Life at Kerlin Gallery, Dublin Apoorva Rajagopal, Dublin

Ack Ro' , Jaki Irvine's reflection on the fragility of life at Kerlin Gallery, Dublin, is an 'ambitious, holistic installation' staged like a 'wild disarray of interconnected yet fragmented pieces'.

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(1928 - 2007), South Korea

Yun Hyong-keun Ocula Magazine

Kim Inhye on Yun Hyong-keun’s Retrospective at Palazzo Fortuny Ocula Insight Kim Inhye on Yun Hyong-keun’s Retrospective at Palazzo Fortuny Ocula IGTV

Yun Hyong-keun at Palazzo Fortuny, Venice, is the first international retrospective exhibition of the eponymous Korean artist's work since his death in 2007. Curated by Kim Inhye, the retrospective runs throughout the duration of the 58th Venice Biennale , which concludes on 24 November. In this Ocula video, created for Ocula's IGTV , Kim...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings Sherry Paik, Venice

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun . For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of...

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Beyond Influence: The Legacy of Korean Monochrome Painting Ocula Report Beyond Influence: The Legacy of Korean Monochrome Painting Stephanie Bailey, London

'One thing to remember about Tansaekhwa is that it was never an official movement,' Joan Kee, Associate Professor of Art History at the University of Michigan at Ann Arbor, explains in an email interview. 'There was no manifesto, no declaration—not even a series of exhibitions consciously organized under that rubric.' 

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