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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

Sean Kelly

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Escalera (Oven Step) by Los Carpinteros contemporary artwork Los CarpinterosEscalera (Oven Step), 2001 powder coated steel
36.75 x 30 x 54 inches
Calle de los Hexagonos by Los Carpinteros contemporary artwork Los CarpinterosCalle de los Hexagonos, 2016 Watercolor on paper
Reception Room by James Casebere contemporary artwork James CasebereReception Room, 2017 Framed archival pigment print mounted to dibond
59.62 x 44.38 inches
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Lehmann Maupin

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Untitled (White, Black Band, Beveled) by Mary Corse contemporary artwork Mary CorseUntitled (White, Black Band, Beveled), 2017 glass microspheres in acrylic on canvas
32 x 102 inches
Untitled (White, Black Band, Beveled) by Mary Corse contemporary artwork Mary CorseUntitled (White, Black Band, Beveled), 2016 glass microspheres in acrylic on canvas
48 x 48 inches
Untitled (White, Black Band, Beveled) by Mary Corse contemporary artwork Mary CorseUntitled (White, Black Band, Beveled), 2017 glass microspheres in acrylic on canvas
114 x 96 inches
Untitled #11 by Catherine Opie contemporary artwork Catherine OpieUntitled #11, 2012 pigment print
40 x 60 inches
Diana by Catherine Opie contemporary artwork Catherine OpieDiana, 2012 pigment print
67 x 30 inches
ingxube (Lindelani) by Liza Lou contemporary artwork Liza Louingxube (Lindelani), 2015 Woven glass beads
71.06 x 71.06 x 1.38 inches
ingxube (Mtwalume) by Liza Lou contemporary artwork Liza Louingxube (Mtwalume), 2015 Woven glass beads
71.85 x 71.85 x 1.38 inches
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Galerie Lelong & Co. New York

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When the living can no longer fight - the dead will by Nalini Malani contemporary artwork Nalini MalaniWhen the living can no longer fight - the dead will, 2015 Digital print
26 x 43.3 inches
Be Afraid of the Enormity of the Possible by Alfredo Jaar contemporary artwork Alfredo JaarBe Afraid of the Enormity of the Possible, 2015 Neon
47.5 x 72 inches
Sheela-Na-Gig At Home by Nancy Spero contemporary artwork Nancy SperoSheela-Na-Gig At Home, 1996 Handprinting and printed collage on paper, installation with video, underwear and clothesline
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Blum & Poe

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I Won't Do My Own Stunts by Friedrich Kunath contemporary artwork Friedrich KunathI Won't Do My Own Stunts, 2016 Acrylic, oil and watercolor on canvas
72 x 60 x 2 inches
Deana Lawson in the Lionel Hamptons by Henry Taylor contemporary artwork Henry TaylorDeana Lawson in the Lionel Hamptons, 2016 Acrylic on canvas
96 x 70 x 1.5 inches
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PKM Gallery

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Aggregation16-AU068 by  contemporary artwork Aggregation16-AU068, 2016 Mixed media with Korean mulberry paper
151 x 151 cm
Aggregation17-FE017 (Dream5) by  contemporary artwork Aggregation17-FE017 (Dream5), 2017 Mixed media with Korean mulberry paper
195 x 132 cm
Aggregation15-OC065 by  contemporary artwork Aggregation15-OC065, 2015 Mixed media with Korean mulberry paper
210 x 176 cm
Burnt Umber & Ultramarine by  contemporary artwork Burnt Umber & Ultramarine, 1990 Oil on linen
130.5 x 97.2 cm
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