
Pilar Corrias is pleased to present a focused presentationof new work exploring the influence of early modern Britishlandscape painting on Sholto Blissett, Rachel Rose andGeorg Wilson. The works in this presentation draw onassociated tropes from this period of art history, conjuringalternative and distorted visions of our living environment.
Sholto Blissett’s imagined landscapes question preconceivednotions about the natural world, prompting viewers toreconsider inherited ideas and categories that shape ourunderstanding of nature and the wilderness. Building uponthe traditions of landscape painting, Blissett approachesnature as an unfolding process rather than a fixed scene,where change occurs in rhythms and forces far beyondhuman perception. In this body of work, Blissett exploreslandscape as a site of flux, where excitement and fearintertwine with a romantic nostalgia, unfolding acrosstimeless horizons.
Spanning film, painting, drawing and sculpture, Rachel Rose’swork traces the ways landscapes shape human experienceand how the stories and belief systems we weave are bornfrom them. In The Rest, Rose draws on the canon of paintingsdepicting the Holy Family resting during their flight intoEgypt, reimagining the scene through Mary’s perspectiveand relocating it in present landscapes. The series movesfrom dawn to night, and Rose’s smearing, blurring and flashesof focus within the paintings illustrate the suspension of time,making that as much the subject of the paintings as thelandscape itself. Nature appears fluid and changing, seenthrough the eyes of a mother in love.
Drawing inspiration from English folklore, art history,poetry and ecology, Georg Wilson’s paintings imagine analternative natural world in which humanity is absent. Wilsoninterrogates the historic legacy of landscape painting definedby artists such as Thomas Gainsborough, challenging theromanticised vision of the English countryside. Instead of‘green and pleasant’ pastoral scenes, Wilson’s compositionsare inhabited by wild creatures that are entangled withnature, inviting us to consider a non-human perspective.Influences from Samuel Palmer to Richard Dadd inform theartist’s approach to colour and form, while Wilson’s uniqueapproach to texture and mark-making enriches her world-building, unifying its surfaces, forms and beings.
—
Sholto Blissett (b. 1996) is a British painter. Recent solo exhibitionsinclude: Orders of Magnitude, Pilar Corrias, London (2026); The whiteheat of cold water, Alexander Berggruen, New York (2025); Life inDeep Time, Hannah Barry Gallery, London (2024); Arboreal, PeresProjects, Milan (2023); Rubicon, Alexander Berggruen, New York(2023). Selected group shows include: Alien Shores, White Cube,London (2025); Bright Stars: Painters from London, Mattia di LucaGallery, Rome (2025); The Silver Cord, Huxley-Parlour, London (2024),and Present Tense, Hauser & Wirth, Somerset (2024).
Georg Wilson (b. 1998) is a British painter. She is a twice-recipient ofthe Elizabeth Greenshields award (2021–2), was shortlisted for theIngram Prize (2022) and New Contemporaries (2023). Upcomingand recent solo exhibitions include: The Ancient Pulse of Germ andBirth, Gainsborough’s House, Sudbury (November 2026); AgainstNature, Pilar Corrias, London (2026); The Earth Exhales, JupiterArtland, London (2025); The Last Oozings, Pilar Corrias, London (2025).Selected group exhibitions include: Episode II: Figuring Out Britain,Matt Carey-Williams, Seoul (2024); The Nature of Things, Castor Gallery,London (2024); Realms, Carl Freedman Gallery, Margate (2024) andBloomberg New Contemporaries, Camden Art Centre, London (2024).
Rachel Rose (b. 1986) lives and works in New York. Recent soloexhibitions include: Luma Westbau, Zurich (2025); Science Gallery,London (2024); GL STRAND, Copenhagen (2023); LUMA, Arles(2023); SITE Santa Fe, Santa Fe (2023); CC Strombeek, Strombeek(2022); Pond Society, Shanghai (2020); Lafayette Anticipations,Paris (2020); Fridericianum, Kassel (2019); LUMA Foundation, Arles(2019); Philadelphia Museum of Art, Philadelphia (2018); FondazioneSandretto Re Rebaudengo, Turin (2018); Kunsthaus Bregenz, Bregenz(2017); Museu Serralves, Porto (2016); The Aspen Art Museum, Aspen(2016); The Whitney Museum of American Art, New York (2015);Serpentine Gallery, London (2015) and Castello di Rivoli, Turin (2015).
A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services