
Lauren Winstone’s new work returns to functional ceramics in the form of the lidded container. Stemming from a commission to create an urn, they are offshoots from the process of working on a funereal object and as a result they have a meditative and introspective quality. Although these containers are not specifically urns, something of the ritualistic quality is retained. In the artist’s pursuit of refining particular shapes, their remaking creates subtle changes. There is an evolution of form that parallels changes in perspective, and in doing so charts shifts on a personal level. Things let go of, things retained. A suite of drawings extends on this theme. Winstone spent time over spring and summer making automatic drawings; the forms emerging appear like abstracted versions of new growth. There is a tentative quality in their making, a very soft, ‘just-there’ rendering, a gentle approach that is at the heart of both the pot making and drawing processes.
Lauren Winstone’s recent hand-thrown ceramics, showing for the first time in Auckland at Two Rooms, is the daring work of a talented young artist who is exploring the enduring potential and possibilities of a material that is yielding new points of view. Interested in the way variations of design can alter our understanding of what a pot is for, Winstone describes how “our expectations of an object are often based on what we have encountered in similar objects before.”


Two Rooms is a contemporary art exhibition venue located in a converted warehouse in Central Auckland, New Zealand. Opened in August 2006, Two Rooms presents a program of residencies and projects by leading International and New Zealand contemporary artists. The building houses two exhibition spaces, the Project Room and the Long Room.

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