
In September, an exhibition by Danh Vo opens at White Cube New York, marking the artist’s return to the city following his acclaimed exhibition ‘Take My Breath Away’ at the Guggenheim New York in 2018.
This presentation follows Vo’s major exhibition ‘πνεῦμα (Ἔλισσα)’ at the Stedelijk Museum Amsterdam (14 February – 2 August 2026), featuring sculptures consisting of fragments from antiques, religious relics and parts of monuments, to explore human intimacy and the conditions that shape how we move, endure and create meaning.

Through a body of personal work inspired also by historical and political events, Danh Vō probes into the inheritance and construction of cultural conflicts, traumas, and values. When Vō was a child, his family fled Vietnam and settled in Denmark: their assimilation to European culture and the political events that prompted their flight are intrinsic to his artistic investigations. His work sheds light on the relation between the inseparable elements that shape our sense of self, both through collective history and private experience. Exhibiting objects based on the ready-made principle is a characteristic artistic strategy of Danh Vō; through objects charged with symbolism that retains the sublimated desire and sadness of individuals and entire cultures, he examines how meaning changes with context. Danh Vō’s work, enigmatic and poetic, deftly avoids didacticism as he explores the power structures behind liberal societies and the fragility of our nation-state notions.
An international art powerhouse, White Cube was established in 1993 in London by art dealer Jay Jopling. In its space on Duke Street, it served as the early exhibition venue for many now internationally acclaimed British artists, including Tracey Emin, Gilbert & George, Rachel Kneebone and Antony Gormley, who still show with the gallery today.

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