German artist Anne Imhof's intense endurance performances are explorations of power, contemporary anxiety and the neoliberal condition.
Read MoreAnne Imhof was born in 1978 in Gießen, Germany. She spent her formative years in Frankfurt am Main, where she worked as a bouncer of a nightclub. Imhof studied at the Hochschule für Gestaltung Offenbach between 2000–2003. Five years later, she went on to study at the Städelschule Hochschule für Bildende Künste under the tutelage of Judith Hopf.
Imhof's work is widely celebrated receiving numerous international awards such as the MoMA PS1 Annual Exhibition Fund and the Golden Lion for Best National Participation at the 57th Venice Biennale.
Imhof works across a varied range of media. Her ever-expanding artistic practice has included performance, choreography, painting, music, fashion design and installation. Imhof's work takes up a similar vantage point to painting, playing with perspective and framing devices. Her performances, while visceral and embodied, are conceived of as gestural surfaces where she explores symbolism and representation.
Imhof credits her first piece to an event she organised before enrolling in art school. In this piece she invited two boxers and a band to perform. Imhof instructed the boxers to keep fighting until the band stopped playing, and the band to keep playing until the boxers stopped fighting. Held in Frankfurt's Red-Light District, this was Imhof's first foray into the use of performance and choreography as central to her practice.
Imhof works very closely with her collaborators. In an interview for Art Basel, she remarked that 'art is only possible together.' While Imhof provides a score for her collaborators, she often directs their actions in real-time through text messaging.
One of Imhof's performances is the three-act opera Angst (2016), where drones fly across a smoke-screened room as if they were surveilling the audience. Viewers are met with a falcon perched on the arm of a health goth and later, performers shaving each other and running into walls. Running for four hours, this piece speaks to a specific angst that plagues various generations – between anxieties of changing leaders and political instability, climate change, warfare, idleness and the pressure to perform in contemporary society.
Faust (2017) was performed at the German Pavilion of the 57th Venice Biennale. Responding to the architecture of the pavilion and to the politics of access and space, this piece involved the participation of Doberman guard dogs alongside performers who moved around the space—balancing on plinths, singing, dancing to heavy metal, crawling beneath the audience's feet beneath a glass floor, while some perched atop a metal fence which lined the building. Faust thinks through power, from Nazi histories to contemporary modes of control. Imhof was awarded the Golden Lion for Best National Participation for this work. Following the exhibition, she also released an LP with the soundtrack that was created for the work.
In Natures Mortes (2021), Imhof transformed the whole of Palais de Tokyo in Paris into a stage. Imhof replaced the museum's white walls with steel and mirrors, as well as creating a labyrinth out of salvaged windowpanes, all of which were left intentionally dirty. Performers activated the space by crawling and walking through the museum, as if either in a procession or on a runway. Imhof also gathered images and paintings by other artists to exhibit as part of the work, including her partner and long-time collaborator Eliza Douglas'. In this work, Imhof reflects on the concept of natures mortes or 'still life', thinking through the function of décor and staging, allowing visitors to oscillate between spaces of the living and the non-living.
Anne Imhof has been widely exhibited internationally. She has held solo exhibitions at the Palais de Tokyo, Paris; Castello di Rivoli, Turin; Tate; Kunsthalle Basel; and MoMA PS1. Her work has been included in group exhibitions at Tai Kwun, Hong Kong; Centre Pompidou, Paris; Hamburger Bahnhof – Museum für Gegenwart, Berlin; and MOCA, Toronto.
Anne Imhof's Instagram can be found here.
Arianna Mercado | Ocula | 2022
