DING YI

Though as a student he already favored abstraction, it was in 1988, when he began the infinite series called Appearance of Crosses, that Ding Yi started to develop a unique visual language that contradicted the typical formats of Chinese painting of that time. Using the cross as a formal referent, sometimes emptied from meaning, sometimes associated with negation, Ding Yi established a distance from expression and the sentiment that predominated in his artistic environment. The idea of combining the principles of design with those of painting resulted, then, in an approach that he has called “the rational abstract”, in which the rigor of the lattice coincides with the dynamism of stroke and color.

His artistic practice includes painting, sculpture and installations, and is circumscribed by the idea of promoting the autonomy of the artistic field beyond politics and history. As he has stated: “abstract art can represent the spirit”. Ding Yi lives and works in Shanghai, China.

Courtesy Galería RGR