Douglas Gordon has been the subject of solo and group exhibitions internationally.
Select solo exhibitions include In My Shadow, ARoS Aarhus Kunstmuseum, Denmark (2019); k.364, K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf (2018); Îles Flottantes, Instituto Moreira Salles, Sao Paulo (2018); Portrait of Janus, Art Sonje Center, Seoul (2017); Black Burns, Scottish National Portrait Gallery, Edinburgh (2017); Gente Di Palermo!, Prisons of the Palazzo Ducale, Venice (2017); The Only Way Out Is The Only Way In, Australian Centre for Contemporary Art, Melbourne (2014); Pretty much every film and video work from about 1992 until now, Musée d’Art Moderne de Paris (2014); I Am Also..., Tel Aviv Museum of Art (2013); Blood, Sweat, Tears, DOX Centre for Contemporary Art, Prague (2009); and Between Darkness and Light: Works 1989–2007, Kunstmuseum Wolfsburg, Germany (2007).
Select group exhibitions include Icons, Villa Empain, Brussels (2021); Broadcast: Alternate Meanings in Film and Video, Gagosian, New York (2020); In Production: Art and the Studio System, Yuz Museum, Shanghai (2019); The Rat-Catcher, Wrocław Contemporary Museum, Poland (2018); About Photography, Gagosian, San Francisco (2018); Documenta 14, Athens (2017); Douglas Gordon / Lawrence Weiner, Gagosian, Athens (2017); LEXICON, Gagosian, Paris (2016); Hello Walls, Gladstone Gallery, New York (2015); Generation: 25 Years of Contemporary Art in Scotland, National Galleries of Scotland, Edinburgh (2014); Art under Attack: Histories of British Iconoclasm, Tate Britain, London (2013); Art Unlimited, Art Basel, Basel (2012); 29th São Paulo Biennial, Sao Paulo (2011); Art and the Sublime, Tate Britain, London (2010); and All Creatures Great and Small, Zacheta National Gallery of Art, Warsaw (2009).
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