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Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula

Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...

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Reiko Tomii Ocula Conversation Reiko Tomii

In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...

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Marie Hagerty was born in Sydney and currently lives and works in Canberra. Since her first solo show at Canberra Contemporary Artspace III in 1988, Marie has had numerous solo exhibitions in Melbourne, Canberra and Sydney.

Hagerty has participated in many group exhibitions across Australia including: Sealed Section, Artbank Sydney (2014) Pulse: Reflections on the Body, Canberra Museum and Art Gallery, Canberra (2014); Contemporary Australia: Women, Queensland Art Gallery, Gallery of Modern Art, Brisbane (2012); Contemporary Australian Culture Now, National Gallery of Victoria, Melbourne (2004); On the Brink, Heide Museum of Modern Art, Melbourne (2000) and the Moët & Chandon Touring Exhibition, touring Australia (1995).

Her work features in major public and private collections including:  National Gallery of Australia; National Gallery of Victoria; Art Bank; Art Gallery of Western Australia; Queensland Art Gallery, Gallery of Modern Art Australian National University; Ballarat Regional Art Gallery; Bendigo Art Gallery; Canberra Museum & Gallery; Crown Towers, Crown Limited Collection; Gold Coast City Art Gallery;; Visy Corp Collection and ACT Legislative Assembly; Art

Recently Hagerty also collaborated with renowned hollow ware maker, Robert Foster, to produce a series of objects, both functional and sculptural.

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