The Öffentliche Kunstsammlung Basel, the municipal art collection of Basel, dates back to 1661, when the city acquired the Amerbach Cabinet. It grew steadily over the centuries, necessitating several relocations within Basel. The Hauptbau on St. Alban-Graben was inaugurated in 1936. A first enlargement came in 1980, when the Kunstmuseum Basel | Gegenwart opened its doors; a third venue, known as the Neubau, was added in 2016.
Hauptbau
The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), two representatives of a conservative modernism. It was originally conceived solely for the presentation of the museum’s collections, and since the spring of 2016, when the new building with its skylighted galleries specifically designed for special exhibitions opened, the main building is once again entirely dedicated to its original purpose.
Neubau
In April 2016, the museum inaugurated a third venue across the street from the Hauptbau, to which it is connected by an underground passage: the Neubau by the local architects Christ & Gantenbein. It is designed to accommodate both special exhibitions and presentations of art from the collections. Construction of the new building was made possible by a public-private partnership: Dr. h. c. Maja Oeri donated the funds that enabled the Canton of Basel-Stadt to purchase the building plot, and the Laurenz Foundation contributed CHF 50 million toward the building costs of altogether ca. CHF 100 million.
Gegenwart
The first enlargement came in 1980 with the inauguration of the “Museum für Gegenwartskunst” on St. Alban-Rheinweg. Now known as Kunstmuseum Basel | Gegenwart, it was one of the first museums dedicated to contemporary art in the world. It was created in a joint effort by the Emanuel Hoffmann Foundation, the Christoph Merian Foundation, and the Canton of Basel-Stadt. Construction was made possible by a generous donation from Maja Sacher-Stehlin, who established the Emanuel Hoffmann Foundation, as well as her family and the Emanuel Hoffmann Foundation. The Christoph Merian Foundation provided the building, erected on land owned by the Canton of Basel-Stadt.
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