
Lynda Benglis (b. 1941) is renowned for challenging conventions and reinventing materials. This approach is already evident in her celebrated Pours, first made in the late 1960s, when she mixed latex and Day-Glo pigments and poured them directly onto the floor to dramatic effect. Over the following decades, Benglis has continued to push the boundaries of form and material across installation, photography, sculpture, and video, working with substances as varied as bronze, ceramic, glitter, paper, and polyurethane foam, to create an oeuvre as surprising as it is radical.
Kunstmuseum Basel will present more than 50 works spanning the late 1960s to the present, showcasing the inventive aesthetic that has cemented the American artist’s role as one of the most influential artists of our time.
The exhibition is organized by the Kunstmuseum Basel, in collaboration with Tate Modern and the Louisiana Museum of Modern Art.
Lynda Benglis is a Greek American sculptor and contemporary artist whose poured latex, foam, and metal works have redefined the relationship between painting and sculpture since the late 1960s.




The Öffentliche Kunstsammlung Basel, the municipal art collection of Basel, dates back to 1661, when the city acquired the Amerbach Cabinet. It grew steadily over the centuries, necessitating several relocations within Basel. The Hauptbau on St. Alban-Graben was inaugurated in 1936. A first enlargement came in 1980, when the Kunstmuseum Basel | Gegenwart opened its doors; a third venue, known as the Neubau, was added in 2016.

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