
The practice of Tavares Strachan often involves a wide range of fields, from science, history and geography to aeronautics, marine biology and engineering. As an artist, he refers to and inhabits the authority associated with these fields in order to explore and bring to light how knowledge and history are written, and by whom. This nod to fields of expertise is at the heart of We Belong Here. Strachan’s text-based sculptural installation combines the visual aesthetics of storefront signage with the linguistic pleasantries of marketing and advertising, in this case initiating important questions for any audience: Who are ‘we’? How does one ‘belong’? And what defines ‘here’? This work occupies a special history in Miami Beach, originally commissioned in 2018 for This Is Not America. The festival explored ways in which place is defined, even as human identities transcend and resist physical, historical and political borders.



Tavares Strachan is a Bahamian conceptual artist celebrated for his ambitious, research-driven practice, which weaves together art, science, and politics to offer distinct perspectives on the cultural dynamics of scientific knowledge. Working across sculpture, neon, ceramics, music, text, installation, and large-scale collaborative projects, he creates work that moves between the Arctic, outer space, and the deep sea to consider the impact of storytelling querying how knowledge is produced and who is made visible in the historical record. Born in 1979 in Nassau, The Bahamas, Strachan lives and works between New York City and Nassau.




The Bass is a celebrated contemporary art museum in Miami Beach, renowned for connecting international contemporary art with the city’s vibrant, diverse audiences.

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