Almine Rech Brussels is pleased to present the third exhibition of Brent Wadden with the gallery.
Brent Wadden has always been slightly outside the mainstream. After studying painting and drawing at the Nova Scotia College of Art and Design, he took an interest in weaving. The interest of his work lies essentially in the sectorisation of different media, as he says himself: 'to me, the Bauhaus movement seemed more based on notions of industrial design, while I was more focused on what it meant to weave. I actually started to think about transforming weaving into what could be considered a painting.'
In these large-scale pieces, Brent Wadden expands the relative flatness with dynamic geometric shapes, sometimes spreading beyond the frame. Every point in the weave seems to stop time, but Wadden’s work is still infused with rhythm, musicality almost. 'Even though painting allows for more freedom and spontaneity than weaving, which by nature takes longer and is more tedious. I can produce sketches or preparatory drawings quickly, but creating the work itself is a regular and assiduous task in response to a composition elaborated beforehand'. He is totally focused on the transition from one colour to the next, on observing progression in the interplay of shades.
'My true subject', Wadden concludes, 'is work itself. It boils down to the organisation of my tools and evolution of my compositions, the pace of which is dictated by the action underway. I am exclusively absorbed in the process: at the end of the day, I experience the satisfaction of work accomplished'. Every morning, he revives an almost ancestral process, and leaves interpretation to others.
Text by Marie Maertens. Courtesy Almine Rech.