Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .
Born in 1978 in Miami, Florida, Hernan Bas creates works born of literary intrigue and tinged with nihilistic romanticism and old world imagery. Influenced by the Aesthetic and Decadent writers of the 19th century, in particular Oscar Wilde, Charles Baudelaire and Joris-Karl Huysman, Bas’s works weave together stories of adolescent adventures and the paranormal with classical poetry, religious stories, mythology and literature. His varied influences also include classic horror films, comics, television, art history, the occult and fairy tales. His paintings are a patchwork of figuration and abstraction; they feature classical subjects like interiors, landscapes and portraits. He experiments with various techniques and materials such as airbrush, wood block, acrylic, gold leaf and house paint. Before embarking on a new series, Bas does general, rather than in-depth, research into a subject. Furthermore, Bas feels that he doesn’t depict actual individuals or events in history but invents scenes inspired by various historical periods. Bas has typically depicted his figures as young men in a period of life change—specifically the transitional moment between boyhood and manhood. His subjects often appear unsettled, timid and insecure. While the male figure features prominently in Bas’ paintings, he does not view these as self-portraits. Bas divides his time between Detroit and Miami, cities that lie outside of major established art centres, yet have strong emerging art communities. The influence of these cities on Bas’ work can be seen in atmospheric and thematic cues.Read More
Solo exhibitions of Bas’ work have been organised by Centro De Arte Contemporáneo Málaga, Málaga, Spain (2018); Colby College Art Museum, Waterville, ME (2018); SCAD Museum of Art, Savannah, GA (2017); Bass Museum of Art, Miami, FL (2013); and the Rubell Family Collection, Miami, FL (2007), which subsequently traveled to the Brooklyn Museum of Art (2008). Bas has participated in a number of important group exhibitions, including The Collectors, curated by Elmgreen & Dragset for the Nordic and Danish Pavilions at the 53rd Venice Biennale (2009); Triumph of Painting: Part III, Saatchi Gallery, London, and Ideal Worlds–New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (both 2005); and the 2004 Whitney Biennale. In 2014, Rizzoli published a monograph on the artist, the most comprehensive book of his work to date. His work is part of the permanent collections of New York’s Brooklyn Museum of Art, The Museum of Modern Art, and Whitney Museum of American Art; as well as the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, North Miami, and San Francisco Museum of Modern Art, among others.
Text courtesy Lehmann Maupin.
Rachel Lehmann is not only one half of the gallery powerhouse that is Lehmann Maupin , but she is also an international citizen of the world. Lehmann was born in Asmara, Ethiopia, and studied at the University of Fribourg in France. She worked at the legendary Sonnabend Gallery in New York, and was the proprietor of two contemporary galleries in...
When the Detroit-based artist Hernan Bas arrived at Jesus College, Cambridge, for a period of research in 2016, he didn't know what 'fresher' meant. The term, familiar to anyone who's been to a British university, is used to describe first-year undergraduates and hints at much of the bravado of student life.
Young men's heads bobbing in an ocean heavy with secrets painted on a folding screen. A flock of spoonbills flying by Stiltsville on a triptych. A sculpture of a dead flamingo, doubled over like a macabre midcentury modern table, chained to a metal ball. This is Hernan Bas' 'Florida Living.'
Aloof, gay waifs appear as persistently in Hernan Bas’s paintings as saints in a cathedral. While the young men that appear and reappear in his canvases have become somewhat of a trope, Bas’s compositions nonetheless arise from obsessive research and idiosyncratic material experimentation, as well as a seriously funny sense of humor....
The early works of one of the great artistic talents to emerge from Miami in the past few years are the subject of a new solo exhibition at YoungArts, 'New Perfumes, Larger Blossoms, Pleasures Untasted: Hernan Bas and the Natural World.
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