Pacita Abad (1946-2004) was born in Basco, Batanes, Philippines. Her more-than-thirty-year painting career began when she journeyed to the United States to undertake graduate studies. Abad studied painting at the Corcoran School of Art in Washington, D.C. and The Art Students League in New York City. She lived on 5 different continents and worked in more than 80 countries, including Guatemala, Mexico, India, Afghanistan, Yemen, Sudan, Mali, Papua New Guinea, Cambodia and Indonesia.
Read MoreHer early paintings were primarily figurative socio-political works of people and primitive masks. Another series was large scale paintings of underwater scenes, tropical flowers and animal wildlife. Pacita's most extensive body of work, however, is her vibrant, colorful abstract work - many very large scale canvases, but also a number of small collages - on a range of materials from canvas and paper to bark cloth, metal, ceramics and glass. Abad created over 4,000 artworks. She painted a 55-meter long Alkaff Bridge in Singapore and covered it with 2,350 multicolored circles.
Abad developed a technique of trapunto painting (named after a quilting technique), which entailed stitching and stuffing her painted canvases to give them a three-dimensional, sculptural effect. She then began incorporating into the surface of her paintings materials such as traditional cloth, mirrors, beads, shells, plastic buttons and other objects.
Small, circular mirrors glint from rings of colour—green, dark green, and pale pink from inside out—while sprightly brushstrokes of red, yellow, and green acrylic paint compose the background. This painted collage, titled Stained Glass (2000), is the work of the late Pacita Abad; it was donated by the artist's estate for Asia Art...
Since 2011, Joselina Cruz has been the director and curator of the Museum of Contemporary Art and Design (MCAD), De La Salle-College of Saint Benilde, Manila, which is celebrating its tenth anniversary in 2018 with a series of programmes and special exhibitions, starting with Flatlands (7 December 2017–4 March 2018). A group show with James...
Walking through the glass doors of the Museum of Contemporary Art and Design (MCAD) in downtown Manila, one is immediately greeted by the domineering faces of Pacita Abad's Bacongo VI (1986) and European Mask (1990)—each measuring two and a half metres tall—composed of zig-zagging geometric shapes in orange, bright yellow, jade...
‘Contemporary art is not a decoration, it is a statement. It is a wonderful seismograph of our societies and realities.' These words were part of the opening speech given last week by founder Lorenzo Rudolf at the seventh edition of Art Stage Singapore in the South-east Asian island city. Rudolf, from Switzerland, has made it his mission to...