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Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula

Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...

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Reiko Tomii Ocula Conversation Reiko Tomii

In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...

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Trevor Paglen

b. 1974, USA

Trevor Paglen was born in 1974 at an Air Force base in Maryland where his father was an ophthalmologist. He grew up on bases in the USA and Germany. A former prison-rights activist, Paglen's photographs often depict classified military activity. Previous series have featured a National Security Agency's eavesdropping complex, an Israeli nuclear weapons facility and a secret CIA prison. The images are always shot from public land. Consequentially, they are often blurred, sometimes even indecipherable. This tendency is embraced by Paglen as emphasising the secretive nature of the establishments from which he is attempting to gather information.

Trained in geography and photography, Paglen's photographs investigate the contemporary American surveillance state. However, he does not aim for perfectly crisp images and understands his photos cannot be used as evidence; he instead wants his work to wake the viewer up to what is going on around them, lurking just below the surface. Carefully keeping within the law, Paglen has photographed military facilities, stealth drones and information-gathering satellites. Through a practice that generally encompasses journalism, engineering, history, politics, photography and more, Paglen has explored the accountability or lack thereof of covert or offshore bases and more broadly the relationship between public and private information. While his works usually take the form of large-scale photographic prints, he has also made installations and films. In 2007 he published a book called I Could Tell You but Then You Would Have to Be Destroyed by Me—a collection of photographs of military patches representing various covert projects undertaken by American personnel.

The work of drones has grown more prolific in military activity of recent years and has accordingly increased in presence in Paglen's work. They are interesting to him not only for their murderous power, but for how they rewire methods of seeing and our understanding of distance. Underlying Paglen's process is a determination towards an awareness of what is hidden. In his photographs of drones, the drones are mere dots on beautiful skies. As a viewer it is a struggle to drag your attention away from the stunning view of the clouds, to find that small dot that is the drone. This spot, however, represents surveillance and potentially death, and is dangerous to ignore.

Paglen uses his research and art to gain new perspectives on the contemporary political moment in its historical context, as well as imagining possible futures. With the help of Creative Time and MIT, in 2012 Paglen launched a disc micro-etched with 100 photographs into distant orbit around Earth. The disc is surrounded by a gold-plated shell and is designed to last billions of years. The project acts as a time capsule for future generations or aliens, or perhaps humankind's successor. The Last Pictures, a critical compendium, documents this project and the process of choosing the 100 photographs. Paglen received his BA from University of California, Berkeley, MFA from the School of the Art Institute of Chicago, and PhD in Geography from University of California, Berkeley. His PhD dissertation was altered and published under the title Blank Spots on the Map: The Dark Geography of the Pentagon's Hidden World. In 2014 he received the Electronic Frontier Foundation Pioneer Award and in 2016 he was awarded the Deutsche Börse Photography Foundation Prize.

Paglen lives and works in Berlin.

Casey Carsel | Ocula | 2017
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Featured Artworks

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Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, Ghost Nets at Galería OMR, Mexico City
Closed
24 May–30 June 2018 Group Exhibition Ghost Nets Galería OMR, Mexico City
Contemporary art exhibition, Trevor Paglen, A Study of Invisible Images at Metro Pictures, New York
Closed
8 September–21 October 2017 Trevor Paglen A Study of Invisible Images Metro Pictures, New York

Represented By

In Ocula Magazine

Gwangju Biennale: Imagined Borders Ocula Report Gwangju Biennale: Imagined Borders 20 Sep 2018 : Tessa Moldan for Ocula

'I have felt persecuted for weeks by this same asphyxiating dream.' So narrates the forlorn Portuguese speaker in Kiluanji Kia Henda's film, Concrete Affection – Zopo Lady (2014), as city scenes and modernist buildings in Luanda flit past the camera's lens. The narration is pulled from Another Day of Life (1971), Polish writer Ryszard Kapuscinski's...

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In Related Press

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Trevor Paglen’s ‘Orbital Reflector’ Asks Who Gets to Exercise Power Over our Planetary Commons Related Press Trevor Paglen’s ‘Orbital Reflector’ Asks Who Gets to Exercise Power Over our Planetary Commons Frieze : 24 January 2019

US photographer Trevor Paglen, best known for his striking images of telecommunications and national security infrastructure, studies 'ungraspable architecture': radio wave transmissions, secret missile ranges, N.S.A. choke points, surveillance and combat drones that alter the very conditions of visibility. His geographic research and photography...

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Artes Mundi 8: Filmmaker Apichatpong Weerasethakul wins £40,000 prize Related Press Artes Mundi 8: Filmmaker Apichatpong Weerasethakul wins £40,000 prize BBC News : 24 January 2019

Indie Thai filmmaker Apichatpong Weerasethakul has won the £40,000 Artes Mundi contemporary art prize.The judges said his film Invisibility was 'a powerful weapon in these turbulent times'.The 48-year-old gave a UK premiere to his dream-like work, projected over two screens and showing two figures rising from their beds in separate rooms.He was...

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The Striking Election-Season Billboards That Are Also Art Related Press The Striking Election-Season Billboards That Are Also Art Vanity Fair : 8 October 2018

The billboards going up around the country this week will have a familiar message for this midterm election: Vote. But featuring images of protests and reminders of the 2016 election, produced by some of the country's best-known artists, the billboards—one for each of the 50 states—will look nothing like your average political...

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Trevor Paglen reveals the hidden networks that rule our lives Related Press Trevor Paglen reveals the hidden networks that rule our lives Apollo : 16 July 2018

If there is a central purpose that guides the eclectic work of Trevor Paglen, it is perhaps the desire to create art that, as he said during a recent lecture, 'gives us a tiny glimpse of how the rules of the world might be different'. In Sites Unseen, an expansive survey that recently opened at the Smithsonian American Art Museum in Washington,...

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