Stephanie Syjuco reflects on how her practice has evolved to focus on the lived implications of nationalism in America.
At Ishara Art Foundation, curator Sabih Ahmed continues to position art in Asia 'through a prism of complex geographies'.
Hito Steyerl reflects on evolving local and global politics in the art world and beyond, talking frankly about recent protests against corporate sponsorship and creating sustainable structures within the field.
The 'eighth climate' is a title rather than a theme, a title which indicates an inter-world which has a number of similarities with how contemporary art is functioning.
Having held the dual role of co-directors of Brisbane’s Institute of Modern Art (IMA) for almost two years, Aileen Burns and Johan Lundh have shaken up the city’s contemporary art land
The 4th Art Encounters Biennial conveys sensibilities of 'distance, anamorphism and vertigo'.
Le Supermarché des Images at the Red Brick Art Musem in Beijing considers the saturation of online information.
Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist's new graphic novel The Extreme Self attempts to track the accelerated hieroglyphs of the emoji age.
The list remains overwhelmingly dominated by people, institutions and movements in the Western world.
Digital Museum Collecteurs has announced its list of the top 100 artists and activists making global change.
With Trump threatening to defund the arts, Sanders promises 'I will be an arts president.'
Mohammad Salemy reports on art historical and political redress within The Museum of ModernArt's permanent collection after the museum's recent expansion.