Pacita Abad Ocula Magazine

Cosmin Costinas charts the unique trajectory of the 4th Kathmandu Triennale in Nepal.

I have always imagined MCAD as a place from which larger conversations could emanate from.

Prolific Filipino artist Pacita Abad drew on the experience of migration as a metaphor for life in dialogue with other cultures.

Despite numerous cancellations and postponements, several significant biennales in Europe and Asia will take place this year.

Enter the colourful world of Pacita Abad in Stained Glass (2000): over the explosions of red, yellow, and green acrylic paint are rings of even more colour and, at their centre, tiny mirrors.