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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ By Jareh Das, New York

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Dhaka Art Summit 2020: Seismic Movements Ocula Report Dhaka Art Summit 2020: Seismic Movements By Radha Mahendru, Dhaka

Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.

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Guo Hongwei on Seeing Patterns That Don’t Exist Ocula Insight Guo Hongwei on Seeing Patterns That Don’t Exist By Sherry Paik, New York

Guo Hongwei's recent watercolour paintings, showing at Chambers Fine Art in New York from 3 March, trigger pareidolia—the phenomenon of seeing random objects or patterns where they do not exist.

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(1946 - 2004), Philippines

Pacita Abad Ocula Magazine

Joselina Cruz Ocula Conversation Joselina Cruz By Stephanie Bailey, Manila

Since 2011, Joselina Cruz has been the director and curator of the Museum of Contemporary Art and Design (MCAD), De La Salle-College of Saint Benilde, Manila, which is celebrating its tenth anniversary in 2018 with a series of programmes and special exhibitions, starting with Flatlands (7 December 2017–4 March 2018). A group show with James...

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Pacita Abad’s Artwork ‘Stained Glass’ up for Grabs Ocula Insight
In collaboration with Asia Art Archive
Pacita Abad’s Artwork ‘Stained Glass’ up for Grabs By Sherry Paik, Hong Kong

Small, circular mirrors glint from rings of colour—green, dark green, and pale pink from inside out—while sprightly brushstrokes of red, yellow, and green acrylic paint compose the background. This painted collage, titled Stained Glass (2000), is the work of the late Pacita Abad; it was donated by the artist's estate for Asia Art...

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