Pablo Picasso’s influence on 20th century art is profound. He continued to innovate throughout his career, playing with colour, form and style—notably Cubism and Neoclassical. His artistic practice spanned painting and drawing, sculpture and ceramics.
Pablo Picasso was born in 1881 in Málaga. His father—the artist Don José Ruiz y Blasco—taught him to paint and draw, and his artistic talent was recognised at a young age. He studied at the Barcelona School of Fine Arts and then the Real Academia de Bellas Artes de San Fernando in Madrid. However, young Picasso preferred to spend time in the Prado Museum looking at works by Diego Velázquez, El Greco and Francisco Goya.
Pablo Picasso was always innovating, adopting new materials and techniques and working across mediums including oil paint, drawing, collage, ceramics, set design, printing and sculpture. Alongside Georges Braque, Picasso is seen as one of the inventors of Cubism.
No, but Picasso and the poet Guillaume Apollinaire were both suspects when the Mona Lisa was stolen from the Louvre in 1911. Picasso did have a pair of stolen statues from the museum in his possession, but the Mona Lisa was pinched by Vincenzo Peruggia, a former Louvre employee who hid in a broom cupboard one night and simply took the picture off the wall when the museum had closed.
Yes—in a highly unusual move for the time, Picasso staged a solo show in 1932 at the Galeries Georges Petit in Paris that looked back at his career. He arranged all the artworks (even bringing along his own pot plant) out of chronological order and without dates. The exhibition then moved to the Kunsthaus Zurich.
Yes, in 1941 he wrote the surrealist play Desire Caught by the Tail, which was first performed as a reading by a cast including Simone de Beauvoir and Jean-Paul Sartre. He also wrote a lengthy prose poem, The Burial of the Count of Orgaz, between 1957 and 1959.
The two artists were professionally competitive, but were also great friends. They saw each other frequently, and often enjoyed heated arguments.
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