Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...
In 2012, Melati Suryodarmo opened Studio Plesungan in her native Surakarta, also known as Solo, the historic royal capital of the Mataram Empire of Java in Indonesia. Suryodarmo had returned to Indonesia from Germany, where she studied Butoh and choreography with Butoh dancer and choreographer Anzu Furukawa, time-based media with avantgarde...
Under the direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute of...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
CHOI&LAGER Gallery is pleased to announce our upcoming exhibition, of two Canadian artists, who both work in sculpture Nicolas Baier and Patrick Coutu, from 16 November through 24 February 2019; presenting new and recent works at our gallery in Cologne.
Both artists are active in Montreal, Canada, a metropole of contemporary art and have been part of the mainstream Canadian art scene.
About Nicolas Baier
Though science has shifted our collective faith from the religious to the empirical, Baier's work reminds us that our understanding of the universe remains imperfect, hindered by personal biases and reactionary instincts. His recent prints and sculptures use the latest technologies–3D printing, CNC routing, computer farm rendering, etc.–and extensive consultation with astrophysicists, to interrogate our growing reliance on the digital world. Baier's work is rich with data and research, precision and erudition, yet it is its seductive aesthetic that gives us the greatest sense of reassurance, validating our flawed logic with a false affirmation of our desires.
Baier's work has been shown at the National Gallery of Canada, the Canadian Museum of Contemporary Photography, the Museum of Contemporary Canadian Art, and the Musée national des beaux-arts du Québec. His work resides in the Art Gallery of Ontario, the National Gallery of Canada, and the Harvard Business School's Schwartz Collection.
About Patrick Coutu
Working in a range of materials, Patrick Coutu explores the imperceptible patterns underpinning organic matter. His bronze-and aluminium-based sculptures originate on his computer, their shapes forged by the various programs he designs, their digital origins mimicking the orderly chaos of vegetal and mineral life.
Rendered in noble metals and treated with nuanced patination, the sculptures recall elements of the natural world such as reefs, gardens, and striated rock. Seen through the lens of technology, the pixel-like units of which they are comprised evoke the rudiments of chemistry and the ones and zeros of the digital realm.
Patrick Coutu lives and works in Montreal. His work has been exhibited at the National Gallery of Canada (2008), Musée d'art contemporain de Montréal (2008), and Musée des Beaux-Arts du Québec (2002).
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