
Jaume Plensa presents 5 rêves, 5 désirs, a new exhibition specially conceived for Paris, on view across all the spaces of Galerie Lelong. It brings together a selection of recent works—sculptures in alabaster, iron, and bronze, as well as works on paper—in which material, the human figure, and silence form a deeply contemporary sculptural language.
At 13 rue de Téhéran, five alabaster sculptures are placed horizontally on the floor, their oval shapes evoking waterlilies or floating stones. Out of this assemblage come human faces seemingly rising from a liquid surface. The contrast between ruggedness and transparency inscribes each sculpture with a sensory ambiguity, one between minerality and fantasy.
At 38 avenue Matignon, three sculptures are presented on two levels. On the ground floor, two large portraits face each other; they are made in cast iron, a dense and oxidized material. On the first floor, a bronze face, painted white, has a near ethereal presence. In these three works, separate but in conversation, the material becomes symbolic of a state of being. Iron anchors; white bronze elevates.
In our bookshop, prints and recent drawings are on display. Jaume Plensa has set about an investigation of form, parallel to his research in sculpture. Faces drawn in profile, using mesh patterns, seem to float on the surface of the paper, between appearance and disappearance, attendance and absence. Drawing here becomes a space of concentration, of breathing, of restrained presence. In a more intimate register, it extends the tensions which sculpture unfolds in space.




Born in 1955 in Barcelona, where he studied at the Llotja School of Art and Design and at the Sant Jordi School of Fine Arts.



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