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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

Taka Ishii Gallery

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“Work” by Kansuke Yamamoto contemporary artwork Kansuke Yamamoto“Work”, 1952 Gelatin silver print
17.9 x 22.9 cm
Untitled by Maria Taniguchi contemporary artwork Maria TaniguchiUntitled, 2017 Acrylic on canvas
274.3 x 487.7 cm
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Sprüth Magers

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Your mind is your own by Astrid Klein contemporary artwork Astrid KleinYour mind is your own, 1979 Photograph based on a collage
177.6 x 126 cm
Survival by Jenny Holzer contemporary artwork Jenny HolzerSurvival, 1989 Horizontal LED sign with red diodes and black housing
13.3 x 276.9 x 7.6 cm
Pattern Tension (Basteen) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzPattern Tension (Basteen), 2017 Acrylic paint, inkjet print, plexiglas
149 x 110 cm
How can I be a better person? by Barbara Kruger contemporary artwork Barbara KrugerHow can I be a better person?, 2011 Archival pigment print
81.3 x 127 cm
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ShanghART

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Tree of Life by Liang Shaoji contemporary artwork Liang ShaojiTree of Life, 2017 Lightbox, silk, X-ray film
44 x 36 x 4 cm
Snow in the Woods by Liang Shaoji contemporary artwork Liang ShaojiSnow in the Woods, 2016 Willow branches, silk, porcelain, cocoons, burned keyboard, wooden board
34 x 244 x 122 cm
Breathe by Liang Shaoji contemporary artwork Liang ShaojiBreathe, 2017 Lightbox, silk, X-ray film
44 x 106 x 4 cm
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Lehmann Maupin

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Untitled (Willing To Be Vulnerable Velvet #7 DDRG02AV) by Lee Bul contemporary artwork Lee BulUntitled (Willing To Be Vulnerable Velvet #7 DDRG02AV) Mother of pearl, acrylic paint, PVC panel, acrylic panel, and collage on silk velvet
41.26 x 54.72 x 3.66 inches (incl frame)
Untitled (Mekamelencolia Velvet #3 DDRG29AC) by Lee Bul contemporary artwork Lee BulUntitled (Mekamelencolia Velvet #3 DDRG29AC), 2017 Human hair, mother of pearl, acrylic paint, and dried flower on silk velvet
54.25 x 116.54 x 4.72 inches (incl frame)
Untitled (Mekamelencolia Velvet #4 DDRG15NF) by Lee Bul contemporary artwork Lee BulUntitled (Mekamelencolia Velvet #4 DDRG15NF), 2017 Human hair, mother of pearl, acrylic paint, dried flower, and water­based ink pen on silk velvet
54.25 x 116.54 x 4.72 inches (incl frame)
Untitled (Willing To Be Vulnerable Velvet #8 DDRG10NB) by Lee Bul contemporary artwork Lee BulUntitled (Willing To Be Vulnerable Velvet #8 DDRG10NB), 2017 Mother of pearl, acrylic paint, acrylic panel, dried flower, pearl­printed self adhesive sheet, and collage on silk velvet
41.26 x 54.72 x 3.66 inches (incl frame)
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Metro Pictures

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Untitled #258 by Cindy Sherman contemporary artwork Cindy ShermanUntitled #258, 1992 Chromogenic color print
68 x 45 inches
Nubian Queen by Gary Simmons contemporary artwork Gary SimmonsNubian Queen, 1993 Latex on tarpaulin
96 x 96 cm
Study of Kipberg by Robert Longo contemporary artwork Robert LongoStudy of Kipberg, 2017 Ink and charcoal on vellum
21 x 31.5 inches
Study of Pascale in a Burka by Robert Longo contemporary artwork Robert LongoStudy of Pascale in a Burka, 2017 Ink and charcoal on vellum
30.12 x 22 inches
Formica (adjusted for the wall, Metro Pictures, Frieze, distorted for the times, slippery slope 2) by Louise Lawler contemporary artwork Louise LawlerFormica (adjusted for the wall, Metro Pictures, Frieze, distorted for the times, slippery slope 2), 2011/2012/2015/2017 Fujiflex print face mounted to Plexiglas on museum box
36.75 x 31.5 cm
Tropics of Love by Camille Henrot contemporary artwork Camille HenrotTropics of Love, 2015 Chinese ink, ink jet print on paper
60 x 74 inches
The Call by Jim Shaw contemporary artwork Jim ShawThe Call, 2016 acrylic on muslin
48 x 32 inches
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