
The show is about fighting fish (Betta fish). Along Hong Kong’s Goldfish Street, male fighting fish are kept alone in palm-sized plastic bags or tiny clear containers and hung on racks in endless rows on display.
Most of them come from Thailand, where they are farmed in tiny glass bottles until they’re shipped worldwide. As the male fish are aggressive and territorial by nature, they must be bred in silos. Since people are drawn to their vivid colors, they often use mirrors and sticks to provoke bettas into believing they’re being confronted by another of their kind, causing them to spread their tails. This kind of display suggests both aggression and courtship. Trevor Yeung accrued his knowledge on fighting fish from his own experience of keeping them and various other sources.
Meticulous in his method, Yeung not only understands their nature but also the kinds of systems surrounding them. Over time, he saw an affinity between fighting fish and people. Fish being kept in tanks are like people immersed in social media, constantly living under the gaze of others. Fighting fish are always alone. There are three parts to the exhibition: A large bubble nest, where fighting fish frolick; A matrix of thousands of glass bottles, where fighting fish grow; A gladiatorial shelf of tanks, where fighting fish flaunt themselves–to others and to their own reflection. These rooms mirror scenes from contemporary life.

Trevor Yeung (b. 1988, Guangdong), who represented Hong Kong in the Venice Biennale, is a contemporary artist who works in installation, sculpture, photography, and carefully orchestrated environments that draw on botany, horticulture, and aquarium systems. He is known for using fish tanks, plants, light, scent, and controlled habitats as analogies for intimacy, desire, and social behaviour, examining how emotional life is shaped by structures of care and control. As Elaine YJ Zheng notes in Ocula Magazine, in his installations “aromatic blends of moss, woodlands, and male body spray steer audiences through the dark,” highlighting his ability to choreograph atmosphere as much as objects.

The Chinese transliteration for magician – ‘mó jīn shí’ has the meaning of sharpening and refining, suggests a kind of reflection and introspection, while the English word ‘magician’ itself means something fantastical and unpredictable, implying further possibilities.

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