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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Pamela Rosenkranz

b. 1979, Switzerland

Pamela Rosenkranz (*1979 in Uri, Switzerland) lives and works in Zurich. She has held solo exhibitions at institutions including GAMeC, Bergamo (upcoming); Cisterna, Fondazione Prada, Milan (both 2017); the Swiss Pavilion at 56th International Art Exhibition, Venice Biennale (2015); Kunsthalle Basel (2012); Centre d’Art Contemporain, Geneva (2010); Swiss Institute, Venice (2009). Selected group exhibitions include The Garden, Aros Museum of Modern Art, Aarhus, (2017); Wirkuta (Mexican Time-Slip), Museo Espacio, Aguascalientes, Mexico; Dreaming Mirrors Dreaming Screens, Sprüth Magers, Berlin (all 2016); No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Inhuman, Fridericianum, Kassel (2014); Think First, Shoot Later: Photograhy from the MCA Collection, Museum of Contemporary Art, Chicago; and EXPO1: New York, MOMA PS1, New York, (both 2013).

Featured Artworks

View All (14)
Express Nothing (Pale Flags) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzExpress Nothing (Pale Flags), 2018 Acrylic on emergency blanket
211 x 141 x 5.5 cm (incl frame)
Sprüth Magers
Pattern Tension (Maleos) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzPattern Tension (Maleos), 2017 Acrylic paint, inkjet print, plexiglas
149 x 107 cm
Sprüth Magers
Alien Blue Window (Atris, Via San Tomaso 53) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzAlien Blue Window (Atris, Via San Tomaso 53), 2017 Lighttex, Blue LEDs, Anodized Frame, Remote Control, USB Dongle
215 x 137.7 cm
Sprüth Magers
Pattern Tension (Preen) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzPattern Tension (Preen), 2017 Acrylic paint, inkjet print, plexiglas
149 x 95 cm
Sprüth Magers
Pattern Tension (Basteen) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzPattern Tension (Basteen), 2017 Acrylic paint, inkjet print, plexiglas
149 x 110 cm
Sprüth Magers
Pattern Tension (Basteas) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzPattern Tension (Basteas), 2017 Acrylic paint, inkjet print, plexiglas
149 x 107 cm
Sprüth Magers
Patter Tension (Partean) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzPatter Tension (Partean), 2017 Acrylic paint, inkjet print, plexiglas
149 x 95 cm
Sprüth Magers
Pattern Tension (Menliom) by Pamela Rosenkranz contemporary artwork Pamela RosenkranzPattern Tension (Menliom), 2017 Acrylic paint, inkjet print, plexiglas
149 x 110 cm
Sprüth Magers

Recent Exhibitions

Contemporary art exhibition, Pamela Rosenkranz, She Has No Mouth at Sprüth Magers, Berlin
Closed
29 April–17 June 2017 Pamela Rosenkranz She Has No Mouth Sprüth Magers, Berlin
Contemporary art exhibition, Curated by Franklin Melendez, 1,000 Islands at Simon Lee Gallery, Hong Kong
Closed
13 November–21 December 2015 Curated by Franklin Melendez 1,000 Islands Simon Lee Gallery, Hong Kong

Represented By

In Related Press

Common scents: Pamela Rosenkranz's latest exhibition is right on the nose Related Press Common scents: Pamela Rosenkranz's latest exhibition is right on the nose Wallpaper* : 12 May 2017

Somewhere in the galleries at Sprüth Magers in Berlin a cat is mewing. As you enter Pamela Rosenkranz’s new exhibition — through a portal-like room filled with a strange blue light — you won’t know it, but you’re being sprayed with a primal odour. It’s a scent that might make you feel more affectionate towards the feline species.

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Pamela Rosenkranz: Biological Processes Related Press Pamela Rosenkranz: Biological Processes Aesthetica : 2 May 2017

Within the perimeter of the Largo Isarco's complex exists two freestanding structures: one flat and square and the second more vertical. The freestanding object to the east of the Great Hall, dubbed the Cisterna, is divided into three rooms with three interior 'pulpits' connected to an exterior balcony. Its configuration suggests a precise...

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In conversation: Franklin Melendez Related Press In conversation: Franklin Melendez 7 January 2016

Franklin Melendez, a writer and independent curator based in the San Francisco Bay area, is the creative director behind Simon Lee Hong Kong’s recent group show '1000 Islands'. Impressed by the thematic cohesion despite a diversity of subject matter achieved in this exhibit, I turned to Melendez to learn more about his curatorial...

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