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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Mandy El-Sayegh: Productive Ambiguity Ocula Conversation Mandy El-Sayegh: Productive Ambiguity

Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Pamela Rosenkranz

b. 1979, Switzerland

Pamela Rosenkranz (*1979 in Uri, Switzerland) lives and works in Zurich. She has held solo exhibitions at institutions including GAMeC, Bergamo (upcoming); Cisterna, Fondazione Prada, Milan (both 2017); the Swiss Pavilion at 56th International Art Exhibition, Venice Biennale (2015); Kunsthalle Basel (2012); Centre d’Art Contemporain, Geneva (2010); Swiss Institute, Venice (2009). Selected group exhibitions include The Garden, Aros Museum of Modern Art, Aarhus, (2017); Wirkuta (Mexican Time-Slip), Museo Espacio, Aguascalientes, Mexico; Dreaming Mirrors Dreaming Screens, Sprüth Magers, Berlin (all 2016); No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Inhuman, Fridericianum, Kassel (2014); Think First, Shoot Later: Photograhy from the MCA Collection, Museum of Contemporary Art, Chicago; and EXPO1: New York, MOMA PS1, New York, (both 2013).

Featured Artworks

View All (14)
Express Nothing (Pale Flags) by Pamela Rosenkranz contemporary artwork
Pamela RosenkranzExpress Nothing (Pale Flags), 2018 Acrylic on emergency blanket
211 x 141 x 5.5 cm (incl frame)
Sprüth Magers
Pattern Tension (Maleos) by Pamela Rosenkranz contemporary artwork
Pamela RosenkranzPattern Tension (Maleos), 2017 Acrylic paint, inkjet print, plexiglas
149 x 107 cm
Sprüth Magers
Alien Blue Window (Atris, Via San Tomaso 53) by Pamela Rosenkranz contemporary artwork
Pamela RosenkranzAlien Blue Window (Atris, Via San Tomaso 53), 2017 Lighttex, Blue LEDs, Anodized Frame, Remote Control, USB Dongle
215 x 137.7 cm
Sprüth Magers
Pattern Tension (Preen) by Pamela Rosenkranz contemporary artwork
Pamela RosenkranzPattern Tension (Preen), 2017 Acrylic paint, inkjet print, plexiglas
149 x 95 cm
Sprüth Magers
Pattern Tension (Basteen) by Pamela Rosenkranz contemporary artwork
Pamela RosenkranzPattern Tension (Basteen), 2017 Acrylic paint, inkjet print, plexiglas
149 x 110 cm
Sprüth Magers
Pattern Tension (Basteas) by Pamela Rosenkranz contemporary artwork
Pamela RosenkranzPattern Tension (Basteas), 2017 Acrylic paint, inkjet print, plexiglas
149 x 107 cm
Sprüth Magers
Patter Tension (Partean) by Pamela Rosenkranz contemporary artwork
Pamela RosenkranzPatter Tension (Partean), 2017 Acrylic paint, inkjet print, plexiglas
149 x 95 cm
Sprüth Magers
Pattern Tension (Menliom) by Pamela Rosenkranz contemporary artwork
Pamela RosenkranzPattern Tension (Menliom), 2017 Acrylic paint, inkjet print, plexiglas
149 x 110 cm
Sprüth Magers

Recent Exhibitions

Contemporary art exhibition, Pamela Rosenkranz, She Has No Mouth at Sprüth Magers, Berlin
Closed
29 April–17 June 2017 Pamela Rosenkranz She Has No Mouth Sprüth Magers, Berlin
Contemporary art exhibition, Curated by Franklin Melendez, 1,000 Islands at Simon Lee Gallery, Hong Kong
Closed
13 November–21 December 2015 Curated by Franklin Melendez 1,000 Islands Simon Lee Gallery, Hong Kong

Represented By

In Related Press

Preview Art Basel 2019 Related Press Preview Art Basel 2019 ARTnews : 7 June 2019

Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16.

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Common scents: Pamela Rosenkranz's latest exhibition is right on the nose Related Press Common scents: Pamela Rosenkranz's latest exhibition is right on the nose Wallpaper* : 12 May 2017

Somewhere in the galleries at Sprüth Magers in Berlin a cat is mewing. As you enter Pamela Rosenkranz’s new exhibition — through a portal-like room filled with a strange blue light — you won’t know it, but you’re being sprayed with a primal odour. It’s a scent that might make you feel more affectionate towards the feline species.

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Pamela Rosenkranz: Biological Processes Related Press Pamela Rosenkranz: Biological Processes Aesthetica : 2 May 2017

Within the perimeter of the Largo Isarco's complex exists two freestanding structures: one flat and square and the second more vertical. The freestanding object to the east of the Great Hall, dubbed the Cisterna, is divided into three rooms with three interior 'pulpits' connected to an exterior balcony. Its configuration suggests a precise...

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In conversation: Franklin Melendez Related Press In conversation: Franklin Melendez 7 January 2016

Franklin Melendez, a writer and independent curator based in the San Francisco Bay area, is the creative director behind Simon Lee Hong Kong’s recent group show '1000 Islands'. Impressed by the thematic cohesion despite a diversity of subject matter achieved in this exhibit, I turned to Melendez to learn more about his curatorial...

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