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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

Pace Gallery

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Horizontal Progression #6 by Sol LeWitt contemporary artwork Sol LeWittHorizontal Progression #6, 1991 Aluminium painted white
46.7 x 207 x 46.7 cm
C4 by Waclaw Szpakowski contemporary artwork Waclaw SzpakowskiC4, 1924 Ink on tracing paper
25 x 70 cm
Correspondance by  contemporary artwork Correspondance, 1993 Pigment suspended in glue on canvas
130.3 x 162.2 cm
Our Ideas #3 by Adam Pendleton contemporary artwork Adam PendletonOur Ideas #3, 2018
OPALKA 1965/1 - ∞ Détail 2389630-2409346 by Roman Opalka contemporary artwork Roman OpalkaOPALKA 1965/1 - ∞ Détail 2389630-2409346, 1965 Acrylic on canvas
196 x 135 cm
Untitled by Agnes Martin contemporary artwork Agnes MartinUntitled, 1995 Pencil and ink on paper
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Axel Vervoordt Gallery

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Work by Masatoshi Masanobu contemporary artwork Masatoshi MasanobuWork, 1960 Oil on canvas
145.5 x 112.1 cm
Umber-Blue '76-M27' by  contemporary artwork Umber-Blue '76-M27', 1976 Oil paint on canvas
230 x 183 cm
Diagonale/Vertikale Struktur by Günther Uecker contemporary artwork Günther UeckerDiagonale/Vertikale Struktur, 1965 Nails, acrylic and sand on canvas laid down on wood
82.1 x 82 x 7 cm
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Hauser & Wirth

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Communis by Philip Guston contemporary artwork Philip GustonCommunis, 1971 Oil on paper
56.5 x 75.6 cm
Untitled, Head by Arshile Gorky contemporary artwork Arshile GorkyUntitled, Head, c. 1936–1942 Oil on canvas
50.8 x 33 cm
Sailor in the Sun by Yannis Tsarouchis contemporary artwork Yannis TsarouchisSailor in the Sun, 1966 Oil on canvas
210 x 70 cm
Composition no. VII by Serge Poliakoff contemporary artwork Serge PoliakoffComposition no. VII, 1952 Oil on canvas
72.8 x 92 cm
Natura Morta by Giorgio Morandi contemporary artwork Giorgio MorandiNatura Morta, 1949 Oil on canvas
30.5 x 45 cm
Portrait of Stephen Spender by Henry Moore contemporary artwork Henry MoorePortrait of Stephen Spender, 1934 Pen and ink, chalk, brush and ink, wash
35 x 26 cm
Maquette for Warrior without Shield by Henry Moore contemporary artwork Henry MooreMaquette for Warrior without Shield, 1952–1953 Bronze on wooden base
21.3 x 10 x 10 cm
Fidelma with Raised Arms by Leon Kossoff contemporary artwork Leon KossoffFidelma with Raised Arms, 1981 Oil on board
42.5 x 31 cm
Enparantza (Square) by Eduardo Chillida contemporary artwork Eduardo ChillidaEnparantza (Square), 1990 Steel
122.5 x 29.5 x 29.5 cm
J.Y.M Reclining by Frank Auerbach contemporary artwork Frank AuerbachJ.Y.M Reclining, 1971 Oil on paper laid on board
59.5 x 80.5 cm
Primrose Hill, Summer by Frank Auerbach contemporary artwork Frank AuerbachPrimrose Hill, Summer, 1968 Oil on board
122 x 122 cm
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Alan Cristea Gallery

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Flowering Palm by Howard Hodgkin contemporary artwork Howard HodgkinFlowering Palm, 1990–1991 Hand-coloured etching with carborundum from 2 aluminium plates on Velin Arches paper
149.4 x 120.5 cm
Night Palm by Howard Hodgkin contemporary artwork Howard HodgkinNight Palm, 1990–1991 Hand-coloured etching with carborundum from 2 aluminium plates on Velin Arches paper
149.4 x 120.5 cm
Venice Morning by Howard Hodgkin contemporary artwork Howard HodgkinVenice Morning, 1995 16 part hand painted lift-ground etching and aquatint from 3 copper plates with carborundum from 2 aluminium plates on Velin Arches blanc paper
160 x 196.5 cm
Indian Tree by Howard Hodgkin contemporary artwork Howard HodgkinIndian Tree, 1990–1991 Hand-coloured etching with carborundum from 1 aluminium plate on Velin Arches paper
91.6 x 120.5 cm
Here we are in Croydon by Howard Hodgkin contemporary artwork Howard HodgkinHere we are in Croydon, 1979 Lithograph from one aluminium plate printed in black, with thand colouring in watercolour (a brown wash background) and gouache (a red triangle beneath the watercolour wash and a red border) on Moulin
55.9 x 76.5 cm
Composition in Red by Howard Hodgkin contemporary artwork Howard HodgkinComposition in Red, 1970 Lithograph on Arches 250gsm paper
50.7 x 66 cm
Books for the Paris Review by Howard Hodgkin contemporary artwork Howard HodgkinBooks for the Paris Review, 1998 Hand-coloured lift-ground etching and aquatint from 3 copper plates and carborundum from 2 aluminium plates on 100% cotton paper
38 x 42 cm
Red Listening Ear by Howard Hodgkin contemporary artwork Howard HodgkinRed Listening Ear, 1986 Intaglio Print with carborundum from three aluminium plates printed in two shades of black and two shades of red ochre and chrome yellow (mixed), with hand colouring in alizarin red egg tempera on 240
47.5 x 64.4 cm
After Degas by Howard Hodgkin contemporary artwork Howard HodgkinAfter Degas, 1990–1991 Intaglio print with carborundum from three aluminium plates with hand colouring in tempera on Aquarelle Larroque moulins de Larroque et Pombie 240 gsm paper
25.5 x 32 cm
A Storm by Howard Hodgkin contemporary artwork Howard HodgkinA Storm, 1977 Lithograph from three aluminium plates with hand colouring in gouache on Lexington handmade paper
51.7 x 61.3 cm
A Furnished Room by Howard Hodgkin contemporary artwork Howard HodgkinA Furnished Room, 1977 Soft-ground etching and aquatint from two copper plates printed in orange-red with hand colouring in green and orange watercolour on Arches mould-made 250 gsm paper
53.8 x 69.3 cm
Interior with Figure by Howard Hodgkin contemporary artwork Howard HodgkinInterior with Figure, 1968 Lithograph
50.5 x 65.4 cm
Girl at Night by Howard Hodgkin contemporary artwork Howard HodgkinGirl at Night, 1968 Lithograph
50.2 x 64.8 cm
Bedroom by Howard Hodgkin contemporary artwork Howard HodgkinBedroom, 1968 Lithograph
51.5 x 65 cm
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Sprüth Magers

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Interieur 5E [Tegernsee] by Thomas Ruff contemporary artwork Thomas RuffInterieur 5E [Tegernsee], 1983 C-Print
20.5 x 27.5 cm
Porträt (C. Kühn) by Thomas Ruff contemporary artwork Thomas RuffPorträt (C. Kühn), 1987 C-Print
232 x 185 cm
Interieur 6C [Siegen] by Thomas Ruff contemporary artwork Thomas RuffInterieur 6C [Siegen], 1981 C-Print
27.5 x 20.5 cm
Mülheim an der Ruhr, Sonntagsspaziergänger by Andreas Gursky contemporary artwork Andreas GurskyMülheim an der Ruhr, Sonntagsspaziergänger, 1985 Inkjet print, framed behind glass
53 x 69.2 cm
Dolomiten, Seilbahn by Andreas Gursky contemporary artwork Andreas GurskyDolomiten, Seilbahn, 1987 C-Print / Diasec
200.5 x 267 cm
Fachwerkhäuser - Giebelseite by Bernd & Hilla Becher contemporary artwork Bernd & Hilla BecherFachwerkhäuser - Giebelseite, 1970–1973 9 silver gelatin prints
172 x 142 cm (incl frame)
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