Chan + Hori Contemporary has pivoted from being a commercial gallery to a curatorial, advisory and artists’ management business. We focus on three main services of content curation, project management and artist management. As a specialist in contemporary art curation, we are a developer of creative audience engagement strategies and an experienced exhibition-maker. We work in formats that best meet the needs of artists and our clients. These include pop-up exhibitions and festivals in venues around Southeast Asia or further afield; collaborative engagements with museums, art centres and overseas galleries, and immersion and education programmes for executives.
Read MorePast exhibitions include DISINI (2018), a nine-month-long public art festival at Gillman Barracks, Singapore; Atypical Singapore (2018 - 2020), an exhibition of seven local artists held in collaboration with the Singapore Tourism Board that travelled to Russia, Myanmar, India, Thailand and Singapore; and the Maybank Women Eco-Weaver exhibitions (2018, 2019) held in collaboration with the Maybank Foundation.
Ocula Feature Singapore Lowdown: Shows to See By Tessa Moldan, Singapore Singapore Art Week returns from 11 to 19 January 2020 with a host of island-wide events, at the centre of which is the second edition of S.E.A. Focus (16–19 January 2020) at Gillman Barracks, showcasing the best of contemporary art in Southeast Asia.
Ocula Insight | IN PARTNERSHIP WITH GILLMAN BARRACKS Khairuddin Hori: Boundaries and Provocations By Anna Dickie, Singapore I first came across Khairuddin Hori's name in an interview Ocula Magazine conducted in 2015 with artist Tianzhuo Chen. At the time, Hori was deputy director of artistic programming at Palais de Tokyo in Paris, where he oversaw Chen's solo exhibition (23 June–12 September 2015). In the interview, Chen describes Hori as a curator who enabled...
Ocula Feature Between abstraction and interaction: A report from Singapore By Alice Russotti, Singapore When I first went to see Oh Dear What Can the Matter Be (2016), an installation at Yeo Workshop by Singaporean artist Stephanie Jane Burt, I was reminded of a work by another young, and increasingly recognised Singaporean artist, Dawn Ng, How to Disappear into a Rainbow (2016), which I had seen a few months previously at the Hermes Aloft...
Ocula Insight Si Jae Byun at Chan Hampe Galleries, Singapore You have worked in a wide variety of mediums as an artist. Can you tell me a bit about your artistic background? For my undergraduate work I majored in painting and minored in textile design. Then I received an MFA in new media/video from Kookmin University in Seoul, and a second MFA in Fine Art from the School of Visual Arts in New York...
Related Press Thai artist Kamin Lertchaiprasert on the BKK metro 11 September 2017, Art Radar Lertchaiprasert was first approached about this project in December 2016 by Pranitan "Pete" Phornprapha, co-founder of Thai arts, music and environmental festival Wonderfruit. Lertchaiprasert and Phornprapha developed the idea of creating a moving art installation that would reach the Thai community in an accessible, free and easy...
Related Press Hour at the museum: 'Petrichor' at Chan Hampe Galleries 20 July 2016, The Straits Times Chan Hampe Galleries presents Petrichor, an exhibition that draws its name from the fleeting, earthy scent that comes with rain after a prolonged dry spell. The six artists on show aim to capture the similarly ephemeral moment of creativity with works that follow traditional approaches and pieces that push the boundaries of their media.
Related Press Pastel prisms: Dawn Ng's free-ranging installation at Hermès' Aloft space 25 May 2016, Wallpaper* When Singaporean curator Emi Eu approached compatriot Dawn Ng to create an installation to inaugurate Hermès’s refurbished flagship store, the visual artist barely hesitated. For one thing, it’s not everyday that the sixth-generation marque comes knocking. And for another, the site – Aloft at Hermès – is both a brand new...
Related Press Re-writing history and shifting dioramas: Singaporean artist Green Zeng - in conversation 13 April 2016, Art Radar Green Zeng’s latest exhibition tackles Singapore’s electoral constituency boundaries as a metaphor for the rigidity and malleability of the country’s national identity. Photographed weeks prior to the 2015 Jubilee celebration, Green Zeng’s photos of Singapore’s electoral constituencies run parallel to the...
